Speak and Shout From a Man’s Perspective

Speak and Shout

Laurie Halse Anderson’s book Speak has been accused of being anti-male. There’s also Anderson’s follow-up work Shout: The True Story of a Survivor Who Refused to be Silenced. It’s a poetic memoir written during the height of the MeToo movement, which has been characterized by book banners as containing political propaganda.

But are these books really anti-male? Guest essayist David Winn provides a thoughtful and insightful rebuttal to such accusations.
.

L
aurie Halse Anderson’s Speak has faced controversy for decades due to its portrayal of sexual assault. Some critics have mischaracterized its content as “soft pornography” or “political propaganda,” particularly in states like Missouri, Nebraska, and Florida. By 2021, accusations arose that Speak was anti-male and would encourage harmful behaviors, such as increasing abortion rates. Despite these challenges, Speak is ultimately about survivorship, giving voice to those silenced by trauma—particularly its protagonist, Melinda, who struggles to reclaim her identity after experiencing sexual assault. Far from being a political statement or anti-male, Anderson’s work is deeply personal, exploring the emotional aftermath of violence.

In 2019, Anderson took her fight against censorship to the next level by publishing Shout, a memoir that confronts issues of sexual assault, silencing, and the #MeToo movement head-on. While Shout takes place in a more contemporary social context, it shares many thematic similarities with Speak in its exploration of survivorship, trauma, and the power of breaking silence. Just like Speak, Shout has also faced challenges and bans, despite its relevance to ongoing cultural conversations about sexual violence and the imperative for survivors to speak up. Anderson’s choice to confront such difficult material in both novels reflects her dedication to challenging the culture of silence that so often surrounds sexual assault, especially in young adult literature. To this day, she is still fighting censorship, showing up at school boards, going on interviews such as NPR, and her own digital activism.

This Book is Banned_Search and Shout

“Soft Pornography” Accusation

 The argument that Speak promotes “soft pornography” primarily stems from the depiction of Melinda’s sexual assault. Some critics, particularly in conservative regions like Missouri and Nebraska, misinterpret the scene as inappropriate sexual content. However, this view fails to recognize the scene’s purpose: Speak portrays the trauma of the assault through Melinda’s perspective, focusing on her emotional and psychological aftermath rather than any graphic details. Anderson’s careful treatment of the subject focuses on the consequences of the violence, not the violence itself.

Fundamentally, literature is a space for discussing difficult but necessary topics, especially for young readers who may be experiencing similar trauma. Removing such books due to discomfort over subject matter can rob adolescents of an opportunity to find validation in their own experiences. Rather than exploitative, Speak presents the sexual assault as an integral part of Melinda’s journey to reclaim her voice and identity, making it more about recovery than shock value. Dismissing it as “pornography” silences important conversations about consent, trauma, and healing.

This Book is Banned_Speak and Shout

“Political Propaganda” Accusation

After 2021, as debates around Speak continued, another criticism surfaced—Speak was labeled “political propaganda,” with some accusing it of promoting anti-male sentiments. Critics claimed that the novel could lead to an increase in abortion rates or misrepresent men, framing them all as potential aggressors. This type of accusation stems from the novel’s critique of rape culture, which examines how societal norms perpetuate the silence around sexual violence. Rather than targeting men specifically, Speak focuses on the systems that allow violence to persist by silencing survivors, reinforcing that both men and women can play roles in supporting or dismantling these systems.

Far from being anti-male, Speak critiques systems of power that allow violence to flourish, and this critique is essential for all genders. Rape culture is a societal issue, not a gendered one. Both men and women can be affected by these harmful systems, and literature like Speak creates space for deeper conversations about how these structures work. Moreover, sexual assault affects all genders. For instance, studies show that 1 in 6 men have experienced sexual abuse or sexual assault. This statistic underscores that sexual violence is not solely a women’s issue. This makes Speak even more relevant for young readers who need to understand that survivorship is not limited to one gender.

This Book is Banned_Speak and Shout

Importance of Breaking the Silence

At its core, Anderson’s work, including her memoir Shout, is about breaking the silence surrounding sexual violence. Her anger over the continued silencing of survivors drove her to write Shout, published 20 years after Speak. Shout came out amid the rise of the #MeToo movement, founded by Tarana Burke in 2006 and gaining global attention in 2017, further highlighting the urgency of addressing sexual violence in society. Another study shows forty percent of rapes and sexual assaults were reported to police in 2017, but only about 25% were reported to police in 2018.” The book is a raw reflection of Anderson’s own experiences and frustrations with the lack of progress, adding a deeply personal dimension to the broader social critique.

While Speak fictionalizes Melinda’s experience, Shout serves as Anderson’s direct contribution to the #MeToo movement, amplifying survivors’ voices and advocating for accountability. The banning of these books—whether due to accusations of “political agendas” or “inappropriate content”—only reinforces the culture of silence that Anderson and #MeToo aim to dismantle.

This Book is Banned_Speak and Shout

Conclusion

Laurie Halse Anderson’s Speak and Shout remain essential works for addressing sexual violence, despite accusations of being “soft pornography” or “political propaganda.” These claims distract from the novels’ fundamental purpose: to foster dialogue about survivorship, healing, and dismantling rape culture. Whether exploring Melinda’s fictionalized experience in Speak or Anderson’s own story in Shout, these books encourage readers to confront uncomfortable truths and break the silence that enables sexual violence to persist. Rather than banning these works, educators and readers alike should recognize their importance in creating empathy, awareness, and social change.

This is the fundamental reason I have written this essay. As a young male sexual assault survivor, when I encountered this book, I was able to learn that I wasn’t alone. As I read this book in middle school, I learned the vocabulary of what had happened to me. I had gotten sexually abused and assaulted, and it began a hard and arduous process of reconciling what had happened to me. I have to thank Melinda and Laurie Halse Anderson for this. I may have never been able to reclaim my voice, and start speaking if not for this book.

As book bans have drastically risen, Speak and Shout, are almost always on the list. Book banning, especially in the context of young adult literature, can have far-reaching consequences. By removing these books from schools and libraries, those most in need of support are denied access to stories that could help them process their own experiences. The very act of banning Speak reinforces the culture of silence that Anderson’s work seeks to dismantle.

This personal connection is why book bans are so damaging. For every survivor like me who found solace in Speak, there are countless others who might never have the chance if these books continue to be censored. The rise in book bans not only targets works about sexual assault but also restricts access to critical stories about race, gender, and identity. This wave of censorship disproportionately affects marginalized communities, whose stories are often deemed too controversial or political for public consumption. These works are vital not only for their literary merit but also for the crucial role they play in fostering empathy, understanding, and social change. As book bans continue to rise, it is more important than ever to defend the right to access literature that challenges the status quo and empowers survivors. Anderson’s work offers a powerful reminder that silence is not the solution—and that speaking out is an act of resistance and healing.

By banning these books, we are not protecting young readers; we are denying them the chance to learn, grow, and find the strength to reclaim their own voices.

Essayist bio:

David Win is an undergraduate student at Washington University in St. Louis, predominantly working in the non-profit and advocacy space. He states, “in this space I come as a survivor and book lover.”

Share This Post, Choose a Platform!

#Banned Books    #On Censorship   #Benefits of Humanities

Images:

“Soft Pornography” Accusation: Photo by Adi Goldstein on Unsplash

“Political Propaganda” Accusation:  Photo by Andrea De Santis on Unsplash

Importance of Breaking the Silence:  Photo by Johannes Krupinski on Unsplash

Conclusion:  Photo by Egor Myznik on Unsplash




And So It Begins… Department of Education Rescinds Guidance on Book Bans.

Department of Education rescinds guidance on book bans

A
nd so it begins…  as of January 24, 2025, the U.S. Department of Education’s Office for Civil Rights (OCR) has rescinded all guidance indicating that school districts’ implementation of book bans could violate civil rights laws.

The agency has also eliminated President Biden’s recently-created position of book ban coordinator.[1] Responsibilities of this now-abolished post entailed the development of training for schools regarding how book bans that target specific communities conceivably run counter to federal civil rights laws – specifically Title VI and Title IX of the landmark Civil Rights Act of 1964.[2]

Title VI and Title IX are foundational civil rights laws. And, they were enacted to ensure that students are free from discrimination in educational settings.

Title VI:

It prohibits discrimination on the basis of race, color, and national origin in programs and activities receiving federal financial assistance.[3] Note that, unlike Title IX, Title VI’s protections are not limited to “education” programs and activities.[4]

Title IX:

No person in the United States shall, on the basis of sex, be excluded from participation in, be denied the benefits of, or be subjected to discrimination under any education program or activity receiving Federal financial assistance…  Title IX’s prohibition on discrimination “on the basis of sex” includes discrimination on the basis of gender identity and sexual orientation.[5]

Congress consciously modeled Title IX on Title VI of the Civil Rights Act of 1964.[6] And, together these laws are consequential tools aimed at ensuring that schools remain places where every student can learn and thrive without fear of harassment or exclusion.

Department of Education rescinds guidance on book bans

A Case Study in
How the System Used to Work

An investigation by the OCR into the removal of books featuring LGBTQ+ and racial minority characters at Forsyth County Schools in Georgia serves as a case study for how the now-dismantled system worked.

First, it’s important to note that a significant number of the books recently removed from school and library shelves were challenged on the basis of containing LGBTQ+ themes or because they address race and racism.

More than half of attempted book bans over the past several years were works containing LGBTQ+ themes and content. Forty percent were books that revolve around protagonists or secondary characters of color. And 21% of those challenged address issues of race or racism. [7]

The OCR found that removing books featuring LGBTQ+ and racial minority characters created a hostile environment for students. During this probe, LGBTQ+ students and their families reported fear over losing a sense of safety because their school environment became “more harsh,” that is to say abusive, “in the aftermath of the book removals.”[8]

In the same report, students of color indicated that eliminating books with diverse characters made it difficult to see themselves represented in their school libraries. Lack of representation isn’t simply a matter of not getting enough attention. Rendering a population invisible within society effectively silences minority voices.[9]

The OCR ultimately concluded that the book bans, combined with lack of communication throughout the challenge process, as well as ongoing discourse from district leadership about LGBTQ and racial issues, constituted a violation of the students’ civil rights.[10]

The complaint was ultimately settled with a resolution agreement between the Forsyth County School District and the OCR. Among other things, the resolution lays the foundation for improved communication between all parties involved.

But more importantly, it establishes a process for improving school climate and addressing “harassment based on sex, race, color or national origin.”[11]  And ultimately, this resolution agreement deters the violation of students’ civil rights.

Department of Education rescinds guidance on book bans

Such investigations
will no longer be happening.

 Rather than addressing such documented harms, the Department of Education under the Trump Administration has rescinded all department guidance pertaining to book bans and how removing books from school libraries could violate students’ civil rights.

And they didn’t waste any time doing it – the process was set in motion on Inauguration Day. Not only that… as we speak, the Trump administration is drafting an executive order to dismantle the Department of Education entirely.[12]

Trump’s OCR has dismissed the 17 cases heretofore under investigation, stating it was ending “Biden’s book ban hoax.”[13]

But, book bans in United States’ public school classrooms and libraries are anything but a hoax. The free expression advocacy group Pen America has tracked nearly 16,000 book ban attempts in public schools across the nation since 2021.[14]

Department of Education rescinds guidance on book bans

Why is the Department of Education
no longer taking on book bans?

Why has the Office for Civil Rights been stripped of its ability to hold districts accountable for these actions? Why isn’t it addressing censorship – which silences students and impedes their access to education – a priority for this administration?

Why is the Trump administration preparing to dismantle the Department of Education – whose mission is to “promote student achievement and preparation for global competitiveness by fostering educational excellence and ensuring equal access” – altogether?[15]

Suppressing access to information is a tactic that’s been used before in this country. As pointed out by Henry Ward Beecher, the slave-holding class in the antebellum south “realized that allowing non-slaveholders access to information would disrupt their own fortunes, and thus imposed a strict system of censorship throughout the region.”[16]

Beecher also noted that schoolbooks containing accurate material about the evils of slavery “were expunged” because it’s understood that “youthful impressions [are] the most lasting.”[17]

We see this tactic being employed again today. Confirmed by the fact that 16% of books banned in recent years are history books or biographies.[18]

Beecher put the situation, both then and now, in a nutshell with his statement that ignorance (that is… lacking information or particular knowledge) can become an institution, one that can be legislated. Sound familiar?

As he also pointed out:

Knowledge is not only power… but powder also, liable to blow false institutions to atoms.[19]

It seems we have our answer as to why the current Office of Civil Rights is no longer taking on book bans and censorship. Especially when considered in light of the fact that 10% of books recently banned in American school districts contained themes of rights and activism. It’s because, as Beecher noted and we learned from Schoolhouse Rock, knowledge is power.[20]

Department of Education rescinds guidance on book bans

What’s the purported motive
for these recent actions?  

The OCR’s press release cites “fundamental rights of parents to direct their children’s education” as the motive behind these recent actions.[21]

There’s no question that parents deserve a say in shaping their children’s education, especially when it comes to matters revolving around their moral and religious beliefs. But, parents already have that right.

Parents’ legal right “to control the education of their own” pupils was established by the Supreme Court in 1923 with the case Meyer v Nebraska.[22]

Ironically, Meyer v Nebraska revolves around the state of Nebraska’s ban (and yes, that is the word used in the judicial opinion) on forms of education pertaining to marginalized groups.  In this case, the immigrant population generally was targeted, and those of German heritage in particular – in an effort to “foster a homogeneous people.”[23]

The irony lies in the fact that the ruling which establishes the right Trump’s Department of Education purports to be upholding when books with LGBTQ+ themes or discussions of racism are banned, actually finds that restricting education for and about such minority populations is unconstitutional.

Be that as it may…   the right “to control the education of their own” students has long been exercised by parents who have objected to some of the material their children read or view. [24] And, there are ways to do it without trampling on the rights of others. But the day when that conversation was relevant has unfortunately passed.

The fact of the matter is, in its current configuration the Department of Education is no longer in the business of ensuring students’ access to information which, needless to say, is the foundation of a well-rounded education.

What can we do about it?

 What can we do about it? As children’s writer James Howe points out:

Banning books is just another form of bullying. It’s all about fear and an assumption of power. The key is to address the fear and deny the power.[25]

Needless to say, we should make our voices heard at PTA and school board meetings, especially those of our students – whose right to education and information is being infringed upon. Vote in local elections. Run for your local school board.

These actions are important undertakings to be sure. But not everyone has the resources to run for a seat on their school board. That’s what book banners are counting on, as evinced by the recent influx of political money into those elections.

But there’s a “work-around” as it were to ensure your child’s access to information and the well-rounded education they have a right to. And that is to turn the parental rights book banners invoke on its head. Ex-school teacher Stephen King nails it as the expression goes with his advice to:

…run, don’t walk, to the nearest non-school library or to the local bookstore and get whatever it was that they banned. Read whatever they’re trying to keep out of your [student’s] eyes and your [student’s] brain, because that’s exactly what [they] need to know…   controversy and surprise – sometimes even shock – are often the whetstone on which young minds are sharpened.[26]

Deny book banners the power to control and impoverish your student’s education. Take the bull by the proverbial horns. Fire up family reading nights and feature banned books. Visit the public library with your student and check out the books your district has removed from its classrooms or library shelves. Organize a banned book club for your teens.

Department of Education rescinds guidance on book bans

Any book worth banning
is a book worth reading.

As science fiction legend Isaac Asimov so astutely put it, “any book worth banning is a book worth reading.”[27] Studies show that when allowed to read books with difficult or “disturbing” subject matter, students who previously read little or nothing “started reading like crazy,” both in and out of school.[28]

Not surprisingly these students’ reading achievement improved. That’s no small consideration, given that the most recent reading scores on “the nation’s report card” (for 2024) have plummeted to a historic low.[29]

We’re undoubtedly still playing catch-up from the Covid pandemic. Both math and reading scores are still below pre-pandemic levels. But it’s significant to note that only the reading scores have dropped since the previous assessment period.

Why the disparity?  Well…  when we ban books, we tie one arm behind educators’ backs, because they have fewer resources at their disposal to help teach our kids to read at a proficient level. Moreover, a diverse library is one of the best – if not the best – tool in a teacher’s arsenal.

A recent survey of educators from all 50 states found that when diverse books are added to classroom libraries, student reading time increased by 4 hours per week on average. As a result, students’ reading scores increased to three points higher (+9) than the national expected average yearly gains. The lowest scoring students made the greatest gains (+11).

Teachers in this survey indicate that for every additional bilingual book added to their classroom library, their students’ reading assessment scores increased by seven points on average.

They further stated that for every additional LGBTQ+ book added to their classroom library, their students’ reading assessment scores increased by 4.5 points on average. [30]

In addition to improved assessment scores, students in a study of middle-schoolers also report improved self-control, as well as  developing more, and stronger, friendships and family relationships. And, students report being “happier. Yes, happier.” [31] This, of course, is the polar opposite of the baloney banners spout to frighten parents into falling in line.

Department of Education rescinds guidance on book bans

The bottom line…

Rather than succumbing to a policy of restricted information and diminished education, “control the education of your own” by making sure your students have access to books that are being removed from classroom and school library shelves. Reading the types of books targeted by these bans fosters critical thinking, trains perspective-taking, and engenders empathy.[32]

Not only are these skills that students are going to need in order to be whole, successful adults, they’re essential social skills for an informed citizenry in a democratic society. Let’s make sure the next generation of American citizens is equipped with them.

Share This Post, Choose a Platform!

#Department of Education  #book bans
#state-sponsored censorship  #banned books

Endnotes:

[1] Press Release. “U.S. Department of Education Ends Bien’s Book Ban Hoax.” U.S. Department of Education. January 24, 2025.

Arundel, Kara. “Education Department rescinds Biden-era Book ban guidance.” Jan 24, 2025. K-12 Dive.com
https://www.k12dive.com/news/school-book-bans-Education-Department-civil-rights/738310/

[2] Merod, Anna. “Ed Dept to appoint coordinator to take on book bans nationwide.” June 8, 2023. K-12Dive.com
https://www.k12dive.com/news/education-department-coordinator-addressing-book-ban/652458/

[3] U.S. Department of Justice/ Civil Rights Division. Title VI of the Civil Rights Act of 1964.  Overview of Title VI:  https://www.justice.gov/crt/fcs/TitleVI

EveryLibrary Objects to Trump Administration Calling Book Bans a Hoax. January 24, 2025.
https://www.everylibrary.org/trump_administration_ends_school_book_ban_consent_decree

[4] U.S. Department of Justice/ Civil Rights Division. Title IX. Title IX Legal Manual
 https://www.justice.gov/crt/title-ix

[5] U.S. Department of Justice/ Civil Rights Division. Title IX. Title IX Legal Manual.
https://www.justice.gov/crt/title-ix

[6] U.S. Department of Justice/ Civil Rights Division. Title IX. Title IX Legal Manual
https://www.justice.gov/crt/title-ix

EveryLibrary Objects to Trump Administration Calling Book Bans a Hoax. January 24, 2025. EveryLibrary.com
https://www.everylibrary.org/trump_administration_ends_school_book_ban_consent_decree

[7] Arkin, Daniel. “More than half of 2023’s most challenged books have LGBTQ themes.” April 11, 2024. NBCnews.com
https://www.nbcnews.com/nbc-out/out-news/banned-books-lgbtq-library-association-rcna146236

Heeter, Jonathan. “Three Facts and a Fiction: Challenging Books,”

[8] Landmark Civil Rights Agreement Over Book Bans in Forsyth County (GA) Schools. May 21, 2023. EveryLibrary.com https://www.everylibrary.org/landmark_school_book_ban_civil_rights

[9] EveryLibrary Objects to Trump Administration Calling Book Bans a Hoax. January 24, 2025.
https://www.everylibrary.org/trump_administration_ends_school_book_ban_consent_decree

Letter of Advisement to Forsyth County Schools Superintendent. United States Department of Education Office for Civil Rights, Region IV.

[10] Landmark Civil Rights Agreement Over Book Bans in Forsyth County (GA) Schools. May 21, 2023. EveryLibrary.com https://www.everylibrary.org/landmark_school_book_ban_civil_rights

[11]  Resolution Agreement. Forsyth County Schools. Complaint No. 04-22-1281. United States Department of Education Office for Civil Rights

Letter of Advisement to Forsyth County Schools Superintendent. United States Department of Education Office for Civil Rights, Region IV.

[12] U.S. Department of Education. Press Release: U.S. Department of Education Ends Biden’s Book Ban Hoax. January 24, 2025.

Mason, Jeff. “Trump seeks executive order, cooperation with Congress to shut Education Department.” Reuters.com February 4, 2025.

[13] U.S. Department of Education. Press Release: U.S. Department of Education Ends Biden’s Book Ban Hoax. January 24, 2025.

[14] Alfonseca, Kiara. “Department of Education dismisses book ban complaints, ends guidance.” ABCNews 
https://abcnews.go.com/US/department-education-dismisses-book-ban-investigations-ends-guidance/story?id=118098825

[15] U.S. Department of Education. “Mission of the U.S. Department of Education.”
https://www.ed.gov/about/ed-overview/mission-of-the-us-department-of-education

[16]Beecher, Henry Ward. “Anti-Slavery Lectures,” The New York Times, January 17, 1855.
https://www.nytimes.com/1855/01/17/archives/antislavery-lectures.html

[17] Beecher, Henry Ward. “Anti-Slavery Lectures.” The New York Times. January 19, 1854.
https://www.nytimes.com/1854/01/19/archives/newyork-city-antislavery-lectures.html

[18] Book Banning, Curriculum Restrictions, and the Politicization of U.S. Schools Report. September 19, 2022.

[19]Beecher, Henry Ward. “Anti-Slavery Lectures,” The New York Times, January 17, 1855.
https://www.nytimes.com/1855/01/17/archives/antislavery-lectures.html

[20] O’Kane, Caitlin. “Over 1,600 books were banned in U.S. school districts in one year – and the number is increasing.” September 20, 2022. CBSnews.
https://www.cbsnews.com/news/banned-books-list-increased-schools-ban-critical-race-theory-sexuality-pen-america-report/

[21] U.S. Department of Education. Press Release: U.S. Department of Education Ends Biden’s Book Ban Hoax. January 24, 2025.

[22] “Meyer v. Nebraska, 262 U.S. 390 (1923).” Justia U.S. Supreme Court.
https://supreme.justia.com/cases/federal/us/262/390/

[23] “Meyer v. Nebraska, 262 U.S. 390 (1923).” Justia U.S. Supreme Court.
https://supreme.justia.com/cases/federal/us/262/390/

[24] “Meyer v. Nebraska, 262 U.S. 390 (1923).” Justia U.S. Supreme Court.
https://supreme.justia.com/cases/federal/us/262/390/

[25] “Read Harder Challenge 2025.” Book Riot.
https://bookriot.com/support-banned-books-week-quotes-censorship/

[26] Stephen King Quotable Quote. Goodreads.

King, Stephen. “The Book-Banners: Adventure in Censorship is Stranger Than Fiction.”
https://stephenking.com/works/essay/book-banners-adventure-in-censorship-is-stranger-than-fiction.html

[27] Williamson, Rebecca. Let Freedom Read – Banned Books Week 2023. September 22, 2023. San Diego State University. https://library.sdsu.edu/features/banned-books

[28] Gay Ivey and Peter Johnston. “What Happens When Young People Actually read ‘Disturbing’ Books.” Teachers College Press blog. October 31, 2023.

[29] Schwartz, Sarah.“Reading Scores Fall to New Low on NAEP, Fueled by Declines for Struggling Students.” EducationWeek, January 29, 2025.  https://www.edweek.org/leadership/reading-scores-fall-to-new-low-on-naep-fueled-by-declines-for-struggling-students/2025/01

[230] The Impact of a Diverse Classroom Library. First Book Research & Insights. 2023.

[31] Gay Ivey and Peter Johnston. “What Happens When Young People Actually read ‘Disturbing’ Books.” Teachers College Press blog. October 31, 2023.

[32] The Ljubljana Reading Manifesto: Why higher-level reading is important. October 20, 2023. International Federation of Library Associations and Institutions.
https://www.ifla.org/news/ljubljana-manifesto-on-higher-level-reading-launched-at-frankfurter-buchmesse/

Images:

And so it begins…: Photo by Julia Joppien on Unsplash

A Case Study in how the system used to work:  Photo by Scott Graham on Unsplash

Such investigations will no longer be happening: Photo by Michael Dziedzic on Unsplash

Why is the Office for Civil Rights under the Trump administration no longer addressing book bans:  Photo by Mick Haupt on Unsplash

What’s the purported motive for these recent actions:  Photo by Ioann-Mark Kuznietsov on Unsplash

What Can We Do About it: Photo by Debby Hudson on Unsplash

Any Book Worth Banning: Photo by Johnny McClung on Unsplash

The Bottom Line: Photo by Annie Spratt on Unsplash

 




Aphorisms Unplugged: It’s Nice To Be Important, But More Important To Be Nice.

more important to be nice

L
ike many mothers, my mom drilled the importance of being nice into my young psyche.  She used expressions like the direct and simple “be nice” to impart this lesson. As well as Thumper the rabbit’s ever-popular pearl of wisdom “if you can’t say something nice, don’t say anything at all.”  Not to mention Jimmy Durante’s “be nice to people on the way up, because you meet them on the way down.”[1]

And, then there’s the adage “it’s nice to be important, but more important to be nice.” These days, this aphorism is more relevant than ever.

We’ve heard it attributed to the likes of actor Tony Curtis, philanthropist John Templeton, and champion tennis player Roger Federer among others.[2]

Pretty good advice, really. But interestingly (although not surprisingly if you’ve been following Aphorisms Unplugged), there was a time when being nice was something to be avoided. And, referring to someone as nice would be rude and insulting.

Not because being polite, kind and respectful was a bad idea, but because nice meant something completely different.

During the 14th century, when the word nice was first used in English, it meant to be “silly, or foolish.” Which makes sense, since the term made its way to English by way of early French from the Latin nescius, meaning ignorant.

By the 16th century, nice became associated with a sense of being finicky, or very particular. Around that time it was also used to describe someone with an extravagant, flashy, ostentatious dress code.

It wasn’t until the 19th century that the word nice came to mean polite, kind, respectful – and respectable – as we understand it today.[3]

That’s quite the etymological journey. I’d wager Mom didn’t know about all the twists and turns the word had taken when she encouraged me to be nice. But regardless of how long it took for the term to mean polite, kind, and respectful, being nice to one another is something we should all strive to do.

Share This Post, Choose a Platform!

Endnotes:

[1] “Nice quotes.” Brainy Quotehttps://www.brainyquote.com/topics/nice-quotes

[2] “It’s Nice to Be Important, but More Important To be Nice.” Quote Investigator. April 12, 2017. https://quoteinvestigator.com/2017/04/12/nice/

[3] “Nice.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/nice.

“Nice.” Oxford English Dictionary. https://www.oed.com/dictionary/nice_adj?hide-all-quotations=true

Image:

Photo by ashok acharya on Unsplash




Of Mice and Men: Am I My Brother’s Keeper?

Mice Men banned brother's keeper

A
m I my brother’s keeper?  It’s the question Cain sardonically put to God in the book of Genesis, when God confronts Cain about the death of his brother Abel. And as we all know, due to Cain’s scornful nature things didn’t turn out very well for him. But, how does Cain’s challenge apply to John Steinbeck’s novella Of Mice and Men?

John Steinbeck described his “whole work drive” as being aimed at “making people understand each other.”[1]  The first reading we posted of Steinbeck’s work, It’s a Regular Greek Tragedy, examines a social/ historical reading of Steinbeck’s book. As a result of this reading, we gain a better understanding of the tragic human cost associated with economies that create, and benefit from, a class of disenfranchised workers.

Despite Cain posing it in a cynical fashion, “Am I my brother’s keeper” is actually a serious moral question. And when read in the light of its mythic implications, Of Mice and Men revolves around that very issue. This (second) interpretation encourages an understanding of the human condition gleaned from a mythological reading of Steinbeck’s “playable novel.”[2]

Though Steinbeck endeavored to be true to life, he didn’t consider himself a Realist. Realists focus on the here and now, the immediate. They concentrate on specific action and its verifiable consequence. While it’s true that much of Steinbeck’s fiction is realistic and informed by firsthand events, he transforms those encounters into a thematic or spiritual experience common to humankind, thus giving his works – specifically Of Mice and Men – mythic overtones.[3]

During the late 1930s, a “back-to-the-farm” movement emerged in California. This movement not only idealized the mystical bond between humanity and the soil, its philosophical viewpoint advanced the notion of independence and self-realization as direct byproducts of living close to the land.[4] Not surprisingly, this Edenic cultural development aligns with a central motif in Steinbeck’s work, America as an imperfect New World.[5]

This Book is Banned Of Mice and Men There are No Edens in Steinbecks Writing

There Are No Edens
In Steinbeck’s Writing.

The small, confined valleys Steinbeck preferred for his settings were very effective as symbols. As noted above, for Steinbeck, the small California coastal valley appears to suggest a climax to America’s Edenic myth. It’s a final opportunity for paradise at the end of the frontier.[6]

But, as anyone who has read Steinbeck will tell you there are no Edens in his writing. There are only allusions to the primordial paradise.  And, in the fallen world encompassed by Salinas Valley, New Eden is an illusory and painful dream where the “sons of Cain” that populate it are fated to wander in isolation.[7]

Referring to the itinerant farm workers examined in the first installment of this essay, economic researcher Frederick C. Mills states, “it is the constant craving for human company, for friends, that is so strong among the floating class.”[8] Mills further stresses, “denied wives, or families, or circles of sympathetic friends, this feeling can only be partially satisfied thru the institution of ‘partners.’ Most men hate to travel alone on the road.”[9] This isolated and rootless existence is imposed on the itinerant workers that people Of Mice and Men.

When read mythologically, Of Mice and Men examines the nature of man’s fate in this fallen world. And, Steinbeck places particular emphasis on the question of whether man is destined (like Cain) to go his way alone as a solitary wanderer, or live in companionship with another? In doing so, Steinbeck effectively poses the same question Cain put to God: “Am I my brother’s keeper?”[10]

This Book is Banned Of Mice and Men George and Lennie vs Cain and Abel

George And Lennie vs Cain And Abel.

Parallels to the Cain-and-Abel story are evident throughout the tale of George and Lennie, providing Of Mice and Men’s mythic structure. Most people are only familiar with the general outline of the Cain and Able story. So, in order to see how it applies to Steinbeck’s novella, the details need to be filled in.  Cain, Adam and Eve’s first-born son, was a “tiller of the ground,” and their second child, Abel, was a “keeper of sheep.”[11]  The crux of the story is that Cain’s offering of “fruit of the ground” failed to find favor with God, while Abel’s livestock was well received.[12]

Rejected, jealous, and angry, Cain kills Abel. When God later inquires about Abel’s whereabouts, Cain replies in a biting and backhanded manner, “I know not: Am I my brother’s keeper?”[13] Needless to say, God being God, He already knew what happened to Abel.

God, of course, punishes Cain for Abel’s murder. His choice of punishment seems to say “be careful what you wish for,” regarding Cain’s arrogant and sarcastic remark about not being his brother’s keeper. As if to facilitate the detachment he appears to wish for, God banishes Cain from His company, as well as the companionship of his parents (Adam and Eve). And, to seemingly drive the point home, God also curses Cain to wander the earth as a “vagabond” from that day forward.[14]

George and Lennie’s dream of owning a farm represents an aspiration to break the pattern of wandering and loneliness that defines this post-Fall exile, and return to the perfect Garden.[15] In this fallen world, where people drift past each another alone and infinitely lonely, George and Lennie have each other. Together, they embody humanity’s fundamental need for connectedness.[16] The following exchange between the two, about their dream and the significance of their relationship, paints an apt picture:

“With us it ain’t like that. We got a future. We got somebody to talk to that gives a damn about us. We don’t have to sit-in no bar room blowin’ in our jack jus’ because we got no place else to go. If them other guys gets in jail they can rot for all anybody gives a damn. But not us.”

Lennie broke in. “But not us! An’ why? Because . . . . because I got you to look after me, and you got me to look after you, and that’s why.” He laughed delightedly. “Go on now, George!”…

“O.K. Someday – we’re gonna get the jack together and we’re gonna have a little house and a couple of acres an’ a cow and some pigs and—

“An’ live off the fatta the lan’,” Lennie shouted. “An’ have rabbits. Go on, George! Tell about what we’re gonna have in the garden and about the rabbits in the cages and about the rain in the winter and the stove, and how thick the cream is on the milk like you can hardly cut it. Tell about that, George.” [17]

This Book is Banned Of Mice and Men Its a Regular Greek Tragedy itinerant farm worker

Cain-esque Loneliness,
A Primary Theme.

George and Lennie’s friendship clearly stands in contrast to the Cain-esque loneliness that runs through Of Mice and Men. As such, their companionship draws attention to the desolation experienced by virtually all the significant characters that people this fallen world.

Lennie’s remarks in the opening segment of the work mirror the observations above made by Frederick C. Mills:

Guys like us, that work on ranches, are the loneliest guys in the world. They got no fambly. They don’t belong no place… They ain’t got nothing to look ahead to.[18]

And, George’s exchange with Slim speaks to the negative effects loneliness can have on people:

After a long time they get mean. They get wantin’ to fight all the time.”
“Yeah, they get mean,” Slim agreed. “They get so they don’t want to talk to nobody.”[19]

Candy’s damaged hand leaves him unable to work alongside the other men on the ranch. So, when Carlson shoots his dog, Candy is deprived of any real form of companionship. His promise to make a will leaving his share of the farm to George and Lennie shows just how alone Candy is. His decision to do so is grounded in the fact that he has no one else to bequeath it to.

Crooks speaks to the loneliness engendered by racism, and not being wanted in the bunk house “‘cause I’m black.”[20] Being ostracized, of course, makes being the only person of color on the ranch cut even deeper. As Crooks tells Lennie, it’s not about being with someone you always agree with or even understand. “It’s just the talking. It’s just bein’ with another guy. That’s all.”[21]

Which brings us to Curley’s wife. Like Crooks, she yearns for acknowledgement, and essential recognition as a human being. It’s no accident that she doesn’t have a name. As Steinbeck points out in a letter to the actress playing Curley’s wife on stage, “Her craving for contact is immense.”[22] And she gets attention the only way she knows how.[23] Confiding in Lennie, she tells him, “I get lonely… You can talk to people, but I can’t talk to nobody but Curley. Else he gets mad. How’d you like not to talk to anybody?”[24]

This Book is Banned Of Mice and Men really that pessimistic

Is Of Mice And Men
Really That Pessimistic?

With all that loneliness (not to mention the work’s conclusion), Of Mice and Men sounds like the dark, “depressing” work it was challenged for being… But is it, really?[25]  I say “no, not at all.”

It’s true that, like all human beings, the characters are flawed. And, it doesn’t take long to figure out that George and Lennie’s dream of a farm (and proverbial New Eden) is never going to happen. However, as noted above, George and Lennie have what Candy, Crooks, Curley’s wife… and Cain long for — human connectedness.

Lennie sums it up perfectly, “I got you to look after me, and you got me to look after you.”[26] And, as antithetical as it may seem, George shooting Lennie is actually looking out for him. Because this time Lennie’s mistake (accidentally killing Curley’s wife) is too grave for George to take care of the way he always has in the past. This time, a gang of ranch hands is scouring the woods for Lennie, and by all indications they plan to lynch him. And, they’re rapidly gaining ground.

As George steadies himself and puts the gun to the back of Lennie’s head, he recites the story of their dream farm. The tale never fails to sooth both George and his friend. Just as the vigilante horde can be heard “crashing” through the brush, George pulls the trigger.[27]

In doing so, he thwarts the vicious cruelty the mob would most certainly have visited upon Lennie. George provided Lennie with the only protection available. The fatal pistol shot effectively sends Lennie off to their dream farm forever – and metaphorically their New Eden, where “ever’body gonna be nice to you,” and there “ain’t gonna be no more trouble.”[28]

In Conclusion.

As mentioned above, Steinbeck’s novella revolves around the question Cain put to God: “Am I my brother’s keeper?”[29]  The answer…  emphatically in the affirmative.

When read in light of these mythic implications, Of Mice and Men gives rise to a deeper understanding of humanity’s fundamental need to be connected to each other. Steinbeck’s work points out the divisiveness, isolation, and devastation that results when we Other and revile our fellow man. We would do well to remember how it turned out for Cain when he behaved in such a manner – especially these days.

That’s my take on John Steinbeck’s Of Mice and Men – what’s yours?
Check out this Discussion Guide to get you started..

Pair this with our other readings 
of Steinbeck’s Of Mice and Men:
It’s a Regular Greek Tragedy
The Self Learns, Discovers, Becomes

Share This Post, Choose a Platform!

Endnotes:

[1] Gannett, Lewis. “John Steinbeck: Novelist at Work.” The Atlantic Monthly. (December 1945), 59.
[2] Steinbeck, John. Stage. January, 1938.
[3] Harmon, William, and Hugh Holman. A Handbook to Literature. (Upper Saddle River, N.J.: Pearson Prentice Hall, 2009), 456; Timmerman, John H. John Steinbeck’s Fiction: The Aesthetics of the Road Taken. (Norman: University of Oklahoma Press, 1986), 8-9.
[4] Hadella, Charlotte Cook. Of Mice and Men: A Kinship of Powerlessness. (New York: Twayne Publishers/Simon and Schuster,1995), 3.
[5] Hadella, 34.
[6] Benson, Jackson J. “Environment as Meaning: John Steinbeck and the Great Central Valley.” Steinbeck Quarterly. Vol. 10, Issue 1 (Winter 1977), 12-13.
[7] Owens, Louis. John Steinbeck’s Re-vision of America. (Athens: University of Georgia Press, 1985), 101.
[8] This observation was made in a 1914 journal Mills kept while investigating working conditions in California’s Central Valley disguised as a migrant worker. Mills, Frederick C. Mills papers, AA; Woirol, Gregory R. “Men on the Road: Early Twentieth-Century Surveys of Itinerant Labor in California.” California History. Vol. 70, No. 2 (Summer 1991), 193.
[9] Mills, Frederick C. Mills papers, AA; Shillinglaw, Susan. “Introduction.” Of Mice and Men. (New York: Penguin, 1998), 10.
[10] Goldhurst, William. “Of ‘Mice and Men’: John Steinbeck’s Parable Of The curse Of Cain.” Western American Liiterature. Vol. 6, No. 2 (Summer 1971), 126.
[11] Genesis 4:2. King James Bible.
[12] Genesis 4:3. King James Bible.
[13] Genesis 4:9. King James Bible.
[14] Genesis 4:12. King James Bible.
[15] Hadella, 46; Owens John Steinbeck’s Re-vision, 102.
[16] Owens, Louis. “Deadly Kids, Stinking Dogs, and Heroes: The Best Laid Plans in Steinbeck’s ‘Of Mice and Men.’” Western American Literature. Vol. 37, No. 3 (Fall 2002), 322.
[17] Steinbeck, John. “Of Mice and Men.” The Portable Steinbeck. Edited by Pascal Covici, Jr. (New York: Penguin Books, 1981), 238-239.
[18] Steinbeck Of Mice and Men, 238.
[19] Steinbeck Of Mice and Men, 263.
[20] Steinbeck Of Mice and Men, 287.
[21] Steinbeck Of Mice and Men, 287.
[22] Steinbeck, John. Letter to Claire Luce (actress playing Curley’s wife about the backstory of her character), 1938. https://www.fullhurst.leicester.sch.uk/_site/data/files/users/CC5CD968868E4057F8E999F1FB603ACD.pdf
[23] Parini, Jay. “Of Bindlestiffs, Bad Times, Mice and Men.” New York Times. September 27, 1992.
[24] Steinbeck Of Mice and Men, 304.
[25] ALA. “Banned & Challenged Classics.” Banned & Challenged Books: A Website of the ALA Office for Intellectual Freedom. https://www.ala.org/advocacy/bbooks/frequentlychallengedbooks/classics
[26] Steinbeck Of Mice and Men, 238.
[27] Steinbeck Of Mice and Men, 321.
[28] Hadella, 63; Steinbeck Of Mice and Men, 320.
[29] Goldhurst, William. “Of ‘Mice and Men’: John Steinbeck’s Parable Of The curse Of Cain.” Western American Literature. Vol. 6, No. 2 (Summer 1971), 126.

Images:

1939 Movie Poster. Hal Roach Studios, Public domain via Wikipedia commons. Original image has been cropped.
https://commons.wikimedia.org/wiki/File:Of_Mice_and_Men_poster.jpg

There are no Edens in Steinbeck’s Writing.  Photo by KC Welch on Unsplash
https://unsplash.com/photos/HkxtJbSuBf0?utm_source=unsplash&utm_medium=referral&utm_content=creditShareLink

George and Lennie vs Cain and Abel. Rubens, Peter Paul. Cain Slaying Abel. (1608-1609) Public domain, via Wikimedia Commons. Source: Courtauld Institute of Art, London.

Cainesque Loneliness, a Primary Theme. Lange, Dorothea, photographer. On U.S. 101 near San Luis Obispo, California. Itinerant worker. Not the old “Bindle-Stiff” type. United States San Luis Obispo San Luis Obispo County California, 1939. Feb. Photograph. https://www.loc.gov/item/2017771237/

Is Of Mice and Men Really that Pessimistic? Lange, Dorothea, photographer. Toward Los Angeles, California. United States California, 1937. Mar. Photograph. Public Domain via Library of Congress. https://www.loc.gov/item/2017769825/.

In Conclusion: Photo by Helena Lopes on Unsplash




The “American Experience” Embodied in the Childhood Reflections of Zitkála-Šá and Laura Ingalls Wilder

this book is banned - the American experience

As we frequently point out here at This Book is Banned, a major benefit of reading books about people with experiences other than our own is that doing so fosters empathy, and broadens our understanding of the world we live in.

If we aren’t reading books about diverse characters, it can be easy to lose sight of the fact that not everyone experiences the world the same way we do. That a lot of people encounter circumstances we don’t even realize exist.

Unfortunately, a good number of books being restricted from school curriculums and pulled from classroom shelves are being banned precisely because they reflect those diverse experiences.

The following piece by guest essayist Maggie Speck-Kern speaks to differences in what is typically referred to as “the American experience.” Specifically, the American experience as embodied in the childhood reflections of  Zitkála-Šá (pronounced Zit-KAH-la-shah) and Laura Ingalls Wilder during America’s pioneer era.

The “American Experience” Embodied in the Childhood Reflections of Zitkála-Šá and Laura Ingalls Wilder

by Maggie Speck-Kern

M
any attempts have been made to define the “American experience,” including extensive journalistic projects from The New York Times and documentaries by the Public Broadcasting Service’s American Experience television show. For instance, in 2014, Todd Heisler and Damien Cave from The New York Times asked people the question, “What does it mean to be American?” Responses varied from, “respecting your neighbors […] in your own neighborhood” to “be[ing] intimate change.”[1] Furthermore, each documentary produced by PBS’s American Experience show “brings to life the incredible characters and epic stories that have shaped America’s past and present” with episodes ranging from “Andrew Carnegie: The Richest Man in the World” to “The Blinding of Isaac Woodard.” [2] However, each of these attempts further proves that there is not one singular type of “American experience” but many – albeit with common themes. In fact, “American” experiences can not only vary drastically between different eras of American history, but they can also vary drastically within the same era based on one’s ethnic identity and cultural practices.

Two examples of the varied “American experiences” that can be perceived within the same era are the lives of Laura Ingalls Wilder and Zitkála-Ša. Their lives are parallel in many ways, but their cultures could not be farther from each other. Wilder was born in 1867 in Wisconsin to a white family of European heritage while Zitkála-Ša was born on the Yankton Reservation in Dakota Territory (what would become South Dakota) in 1877 to a Sioux mother and a white father. Throughout most of their lives, both women lived throughout the Midwest and their timelines even overlapped in Dakota Territory for several years with them living less than 150 miles from each other. Additionally, both women followed similar professional careers as teachers before eventually becoming published authors. Despite their shared time period, geographic locations, and careers, their ostensible understanding of what it meant to be American was drastically different and based, almost exclusively, on ethnic experiences. Regardless, both women demonstrate truly “American” experiences, which can be seen in their life paths, housing, and understandings of the “other.”

This Book is Banned_The American Experience

The Life Paths of Zitkála-Ša and Laura Ingalls Wilder
as a Broad Representation of the “American Experience”

In order to understand their similarities in the “American experience,” one must first recognize the distinct pioneer culture and Native American identity that highlight the cultural differences of Wilder and Zitkála-Ša respectively. These similarities are vividly described in their publications of their early childhood experiences. Laura Ingalls Wilder wrote Little House on the Prairie, the second book in the Little House series, and Zitkála-Ša wrote the short stories within the “Impressions of an Indian Childhood” collection later published in her book American Indian Stories. To give more context to their stories, one must look at their lives a bit closer.

Laura Ingalls Wilder was born in 1867 near Pepin, Wisconsin to Caroline Quiner and Charles Ingalls.[3] In 1869, Charles, affectionately known as “Pa” in the book series, moved the family to settle in Montgomery County, Kansas on property belonging to the Osage Diminished Reserve in the hopes of being able to purchase the land inexpensively after the Native Americans were removed.[4] Wilder’s novel, Little House on the Prairie, fictionalizes the time her family spent in Kansas and their interactions with the Native Americans. After just over a year on the prairie, the Ingalls family left their cabin and began a journey of over a decade settling and relocating throughout the Midwest from Pepin, Wisconsin to Walnut Grove, Minnesota to Burr Oak, Iowa before finally homesteading near De Smet in Dakota Territory.[5] While in De Smet, Wilder obtained her teaching certificate and spent time as a teacher to earn extra income for her family.[6] During her time in De Smet, she also met Almonzo Wilder, with whom she would eventually marry in 1885 and have a daughter, Rose.[7] After starting a life together, the Wilders moved to Spring Valley, Minnesota; Westville, Florida; and back to De Smet, South Dakota before purchasing land in Mansfield, Missouri which would become Rocky Ridge farm.[8] In the early 1910s, Wilder began publishing newspaper columns and magazine articles in local outlets. Later, in 1930, she began working on her autobiographical pieces with Rose which would eventually become the books of the Little House series.[9]

Importantly, Wilder’s early life experiences and the legacy of her books illustrate the archetype of the American experience in the late 1800s, specifically of American pioneers. The Ingalls family’s venture into Kansas on Osage land and the retelling of the story in the Little House on the Prairie perfectly represent the ideals of “manifest destiny,” or the “expansionist drive” that encouraged white pioneers to settle western lands for the sake of “progress and democracy.”[10] They pursued their idea of the “American dream” by settling in lands that belonged to Native Americans with the assumption that it would bring them great success and bounty. They were self-sufficient and lived off the land with the “fair exchange of labor with other settlers, and the mutual, voluntary helpfulness of good (if distant) neighbors.”[11]

Nine years after Wilder, Zitkála-Ša, or “Red Bird” (also known by her Anglo name of Gertrude Simmons Bonnin), was born in 1876 on the Yankton Sioux Reservation in Dakota Territory, the daughter of Tate Iyohi Win, or “Reaches the Wind Woman” (also known by her Anglo name of Ellen Simmons), and a white man who left before Zitkála-Ša was born.[12] Her collection of short stories Impressions of an Indian Childhood describes her time living on the reservation until she was eight years old when she left to attend White’s Manual Institute, a boarding school run by Quakers in Indiana.[13] There, her Indian culture was stripped from her and replaced with that of white America.[14] After living with her family once more on the reservation, she eventually returned to Indiana to attend Earlham College where she achieved great success as an orator.[15] In 1897, she began writing for the Indian Helper, a publication sponsored by the Carlisle Institute, a prominent Indian boarding school.[16] From this point onward, she began writing autobiographical stories, poetry, and fiction which were published in notable magazines such as The Atlantic Monthly and Harper’s.[17] In 1902, Zitkála-Ša married Raymond Bonnin, a fellow Yankton Sioux, and they had a son, Alfred Ohiya Bonnin, the following year.[18] After their short stint working for the Standing Rock Reservation, the Bonnins were reassigned to work on the Uintah-Ouray Reservation in Utah for the Bureau of Indian Affairs and lived there for fourteen years.[19] For the remainder of her life, Zitkála-Ša spent her time advocating for Native American rights, especially since they did not have citizenship until the Indian Citizenship Act in 1924, and “promoting the preservation of Native American cultural and tribal identities.”[20] In 1921, she published American Indian Stories where she “introduced a wide readership to the difficulty that American Indians faced in negotiating the pressures of religious conversion and cultural assimilation.”[21] Though she continued to write poetry and other stories, including an opera entitled Sun Dance, she largely spent her time involved with and writing about Indian affairs and served in many capacities with Native American organizations such as the Society of the American Indian, the Indian Welfare Committee, and the National Council of the American Indians.[22]

Yet, Zitkála-Ša’s life story does not simply represent Native American culture in the late 1800s, but also an “American experience” that is caught between cultures. This multicultural representation is not only because of her biracial heritage, but because she wholly lived in two cultures at different times in her life – the Native American reservations and the distinctly American education system. Her stories uncover “the complex pressures that American Indian intellectuals faced at the turn of the twentieth-century” and how the “policies of the U.S. government and several other institutions aimed to dispossess tribal peoples of their communally held land, their indigenous languages, and many of their cultural practices.”[23] The effect of these policies on her people fueled Zitkála-Ša’s activism and her pursuit of a different “American dream” than that of Wilder. Zitkála-Ša’s “American dream” consisted of a desire for respect for her culture and status among American society equal to that of the white majority. Despite these challenges and her tangential relationship with both of her identities, her “success […] as both an author and an activist offers a remarkable example of how one woman navigated this challenging terrain.”[24]

Moreover, when one analyzes more specific themes within their respective texts of Wilder and Zitkála-Ša, one can further see how each of their stories embody the “American experience.”

This Book is Banned_The American Experience

The Physical House as
a Distinct Emblem of the American Experience

When many conceptualize the “American experience,” it is often centered on one’s residential environment. In particular, the suburban home with the white picket fence is “a kind of shorthand for Americana,”[25] and the “American experience” is generally evocative of a house in a suburban neighborhood. Though this image only represents one facet of the “American experience,” the physical home and its proximity to others “encourage[s] neighborly interaction” and “conversation” which is indicative of American culture.[26] This theme is explored in other emblems of America including the Statute of Liberty, also known as the “Mother of Exiles,” which perfectly epitomizes the welcoming, neighborly environment of America as “the Statue’s uplifted torch did not suggest ‘enlightenment,’ as her creators intended, but rather, ‘welcome’” while the Statue gave “hope to generations of immigrants” seeking a new life.[27] Thus, whether or not those entering through Ellis Island wished to become “steelworkers in Pittsburgh,” “meatpackers in Chicago,” or “tailors in New York City’s garment district,”[28] these immigrants were all welcomed with the Statue of Liberty hospitably inviting the “tired [and] poor […] huddled masses” to their new home in America.[29] Thus, while Americans may have drastically different physical dwellings, the interactions within and around those dwellings more explicitly express the “American experience.”

Emphasizing the significance of the physical home as a representation of culture, Zitkála- Ša describes her home in the opening line of “My Mother” in Impressions of an Indian Childhood as “a wigwam of weather-stained canvas.”[30] To further understand the physical space of Zitkála-Ša’s home environment, it is important to understand that a wigwam is a cone shaped Native American shelter “built for easy disassembling and reassembling” made from wooden poles that were “placed upright, and the top ends were gathered together and bound.”[31] To provide respite from the elements, “large strips of bark or animal hides were wrapped around the frame in layers and then sewn to the structure” with moss or grass mats used to reinforce the walls in harsher environments.[32] In lieu of doors and floors, animal hides served as covers for the shelter opening and as mats, “making it comfortable to sleep and sit on.”[33] A fire pit was centered in wigwam where “families gathered around to cook, eat and talk about their day” with the smoke escaping “through a hole at the top of the wigwam.”[34] For embellishment of their homes, women “decorated the inner walls with designs of nature or animals.”[35] While this does not exactly describe Zitkála-Ša’s own wigwam, this depiction helps one better imagine the setting of the stories within Impressions of an Indian Childhood.

In contrast to Zitkála-Ša’s wigwam, Wilder’s home, featured in the title of Little House on the Prairie, was a one-room log cabin built by her father, Charles “Pa” Ingalls. Over several chapters, Wilder describes the process –in detail – by which her home was built and furnished with the requirements for a home: four walls, windows, a door, a roof, a floor, and a hearth. The materials to build the house are gathered from the creek bottom near the location of their camp with the majority of the construction materials crafted from wood hewn from logs cut down by her father. Rocks were stacked and held together by a mixture of mud to form the hearth and lower chimney basin while the upper chimney was crafted using sticks and mud. Wilder dedicates an entire chapter to the carpentry of creating a door and a latchkey to protect the family from the wild prairie. Inside, the house was furnished with wooden bedsteads, a rocking chair, a table, a cabinet to store precious materials like tobacco and sugar, and ticks filled with dried grass from the prairie to sleep on. The final touches to the house included the addition of a “little china woman on the mantel-shelf” and a “red-checked cloth on the table” placed by Caroline, Wilder’s mother, who remarked, “Now we’re living like civilized folks again.”[36]

The differences between their physical housing structures certainly highlight the differences between their cultures. Without a lockable door, the Zitkála-Ša’s wigwam allows for the culture of the Plains Native Americans to come through where “sharing is valued, and charity to the poor was common.”[37] Whereas, the intricately engineered latch that Wilder’s father  fashioned from wood ensured that they could keep out those that they did not want to enter and protect their property from being stolen. Furthermore, the possible depictions of nature in the wigwam emphasize a connection with the environment while the porcelain figurine and the tablecloth represent her “stamps of domesticity on a previously untamed place.”[38] Finally, the permanence of the cabin compared to the wigwam also demonstrates the “manifest destiny” of the pioneer culture; the settlers established homes to claim land as their own, whereas, the semi- permanent wigwams emphasized the nomadic nature of the tribes who determined their location by following the buffalo.

Nevertheless, their homes – regardless of their differences – embody the “American experience” and are used as tools to perpetuate the welcoming spirit of American culture. For example, in “The Coffee-Making,” Zitkála-Ša describes the visit of an “old grandfather who had often told [her] Iktomi legends” who happened upon her wigwam while her mother was away and “at once [Zitkála-Ša] began to play the part of a generous hostess” and attempted to serve coffee and unleavened bread “with the air of bestowing generous hospitality.”[39] Reflecting on the incident, she realized that the “coffee” she made was “worse than muddy warm water,” and, despite this, the visitor, “whom the law of [their] custom had compelled to partake of [her] insipid hospitality,” did not remark or embarrass her for her attempt and instead treated her with the “utmost respect.”[40] Similarly to Zitkála-Ša’s story, Wilder describes how her mother Caroline welcomed their neighbor Mr. Edwards, who aided Pa with building the house, with “an especially good supper because they had company” and how they reserved “white sugar when company came.”[41] Later in Little House on the Prairie, Wilder paints a vivid story of Mr. Edwards’ harrowing adventure to Independence, Missouri and back for the sole for the sole purpose of providing Laura and her sister, Mary, with Christmas gifts which are hung in the stockings on the hearth of their cabin. Though of varying cultures, these stories illustrate how the home is used for a mechanism for extending hospitality to others. Despite the welcoming nature of the hosts in each story, their hospitality becomes limited when it comes to providing for the “other.”

While these exclusionary practices towards those of a different culture might seemingly contradict the hospitality and welcoming nature of Americans, these practices, in fact, represent another theme in the “American experience.”

This Book is Banned_The American Experience

“The Other” as a Metaphor
Entwined Within the American Experience

Despite the welcoming and hospitable nature of Americans and the composition of the United States as nation of immigrants and, therefore, a collection of many identity groups, the “American experience” also includes the practice of “othering” those who are not within one’s identity group. Othering, as defined by John Powell and Stephen Menendian in the inaugural issue of Othering and Belonging published by the Haas Institute for a Fair and Inclusive Society at the University of California, Berkeley, is “a term that […] encompasses the many expressions of prejudice on the basis of group identities” and “provides a clarifying frame that reveals a set of common processes and conditions that propagate group-based inequality and marginality.”[42] Americans have used this practice of othering to marginalize groups since its inception. For example, politicians in the early 1800s manipulated the “fears of slave revolts” and used the “othering” of enslaved African Americans to “strengthen and reinforce the ramparts of racial  slavery in the South, as well as to reinforce federal proslavery legislation, including the Fugitive Slave laws.”[43] Later in the 19th century, the “‘know-nothing movement arose in response to waves of Irish and German immigrants” which discriminated against these groups “not only on the basis of their ethnicity but also their religion” due to a fear of the “spread of ‘papist’ designs.”[44] Each generation of Americans, it seems, shifts to a different “other” and continues this fear and prejudice of those unfamiliar to them.

Because of the tradition of “othering” in the “American experience,” it is not surprising that the mothers of both Zitkála-Ša and Wilder further perpetuate disdain for the “other” to their children. Zitkála-Ša’s mother, Tate Iyohi Win, sews distrust of the “palefaces,” her derogatory term for the white settlers she encounters, and Caroline, Wilder’s mother, does not hide her fear and disdain for the natives they encounter while in the prairie, often calling them “wild men.” With influence over their children’s perspectives, the mothers in these stories sow the seeds of prejudice and actively foster the continued practice of “othering” among their offspring.

In “My Mother,” Zitkála-Ša describes how her mother’s opinions of the “paleface” influenced her at a young age. In the story, Zitkála-Ša asks the question, “Mother, who is this bad paleface?” with genuine curiosity.[45] Her mother goes on to stated that, “He is a sham, – a sickly sham!” and that “the bronzed Dakota is the only real man.”[46] She goes on to describe how she perceived her mother’s unhappiness which “aroused revenge in [her] small soul” causing her to cry aloud, “‘I hate the paleface that makes my mother cry!”[47] Furthermore, Tate Iyohi Win insists that the “palefaces” are responsible for the death of her brother and her other daughter by stating, “We were once very happy. But the paleface has stolen our lands and driven us hither. Having defrauded us of our land, the paleface forced us away.”[48]

Wilder’s mother, Caroline, also promotes “othering” with her children and actively discourages her daughter’s curiosity in seeing the Native Americans who lived nearby. When inquiring about where she could see a papoose, or a Native American child, Caroline remarks, “Whatever makes you want to see Indians? We will see enough of them. More than we want to, I wouldn’t wonder.”[49] When her daughter inquires, “Why don’t you like Indians, Ma?,” Caroline states that “I just don’t like them” without further explanation.[50] Furthermore, Caroline is not the only character in the story that espouses an “othering” of the natives that live near their homestead. Mrs. Scott, a distant neighbor of the Ingalls family, further spews her distrust of the Native Americans by stating, “Land knows, they’d never do anything with this country themselves. All they do is roam around over it like wild animals. Treaties or no treaties, the land belongs to folks that’ll farm it. That’s only common sense and justice.”[51] Wilder continues to write that Mrs. Scott, “did not know why the government made treaties with Indians” and that “the only good Indian was a dead Indian” and finally, that “the very thought of Indians made her blood run cold.”[52]

With these strong statements of contempt for the “other” by figures close to them, it is no wonder why Zitkála-Ša and Wilder recalled these memories so vividly and recorded them in their autobiographical works. Because “prejudice is learned through living in and observing a society where prejudices exist” and that prejudice in children “does not come from [their] awareness of differences among people, but from their perception of negative attitudes about those differences,” Zitkála-Ša and Wilder’s childhood opinions are shaped by their mothers’ negativity towards the “palefaces” and the Native Americans, respectively.[53] Each author internalized the opinions of the “other” so much so that both Zitkála-Ša and Wilder’s writings are used as archetypes to describe the impressions that their identity groups had of the “other” during their time period of American history. Unfortunately, the passing down of one’s prejudices to future generations is a long standing American tradition and continues to this day.

This Book is Banned_The American Experience

In Conclusion

In studying the lives of Laura Ingalls Wilder and Zitkála-Ša, we can see that while the “American experience” may be colored by one’s ethnic identity, their life paths, welcoming spaces, and treatment of the “other,” it is more similar than different. Though Wilder’s childhood experiences depicted in Little House on the Prairie represent that of pioneer culture and Zitkála- Ša’s Impressions of an Indian Childhood represent that of a Native American youth growing up on a reservation, their autobiographical stories embody that of their greater American culture.

In each of their stories, authors illustrate how their physical homes are used as spaces for welcoming their neighbors and simultaneously an exclusion of the “other.” While these ideas may be seemingly contradictory, they are not mutually exclusive. Americans can both be welcoming towards those that are of the same culture because their neighbors are familiar to them and prejudiced towards those who are different because they are unfamiliar to them. Interestingly, if Americans like Zitkála-Ša and Wilder realized that they were more similar than they were different, perhaps they would not perceive their identity groups as the “other.”

Guest Essayist bio:

Maggie Speck-Kern has always been an avid supporter and appreciator of the arts – from theater and dancing to music and fine arts. She has worked in the museum field where she held positions in the curatorial departments of two state museums in Arkansas. So it isn’t surprising that she loves learning about local history and American culture.

She holds a Master of Arts in Nonprofit Management, and will complete a Master of Arts in American Culture Studies at Washington University in St. Louis in 2025.

Learn more about Zitkála-Šá, and the
difficult history of a time when indigenous peoples were
forced from their ancestral lands, banned from practicing their traditions,
and pressured to assimilate here.

Share This Post, Choose a Platform!

#Native American Heritage Month        #Zitkala-Sa     #Laura Ingalls Wilder     #history 

Endnotes:

1 Damien Cave, “What Does It Mean to Be American?,” June 20, 2014, https://www.nytimes.com/2014/06/20/us/what-does-it-mean-to-be-american.html.
2 “American Experience,” PBS LearningMedia (PBS LearningMedia), accessed May 12, 2021, https://ninepbs.pbslearningmedia.org/collection/amex/;
“American Experience,” PBS (Public Broadcasting Service), accessed May 12, 2021, https://www.pbs.org/wgbh/americanexperience/films/.
3 Anita Clair Fellman, Little House, Long Shadow: Laura Ingalls Wilder’s Impact on American Culture (Columbia, MO: University of Missouri Press, 2008), 12-13.
4 Fellman, Little House, Long Shadow, 17.
5 Pamela Smith Hill, “Laura Ingalls Wilder Historical Timeline,” Little House on the Prairie, December 28, 2018, https://littlehouseontheprairie.com/history-timeline-of-laura-ingalls-wilder/.
6 Hill, “Laura Ingalls Wilder Historical Timeline.”
7 Hill, “Laura Ingalls Wilder Historical Timeline.”
8 Hill, “Laura Ingalls Wilder Historical Timeline.”
9 Hill, “Laura Ingalls Wilder Historical Timeline.”
10 “Manifest Destiny,” Encyclopedia.com (Cengage, May 14, 2018), https://www.encyclopedia.com/history/united- states-and-canada/us-history/manifest-destiny#3401802517.
11 Fellman, Little House, Long Shadow, 86.
12 Robert S. Levine et al., “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, Ninth (New York, NY: W.W. Norton & Company, 2017), pp. 1124-1127, 1124.
13 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
14 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
15 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
16 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
17 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
18 “Zitkala-Ša (Red Bird / Gertrude Simmons Bonnin),” National Parks Service (U.S. Department of the Interior, August 31, 2020), https://www.nps.gov/people/zitkala-sa.htm.
19 “Zitkala-Ša (Red Bird / Gertrude Simmons Bonnin),” National Parks Service.
20 “Zitkala-Ša (Red Bird / Gertrude Simmons Bonnin),” National Parks Service.
21 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125.
22 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1125-26. 23 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1126.
23 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1126.
24 Levine, “Zitkala-Sa (Gertrude Simmons Bonnin),” in The Norton Anthology of American Literature, 1126.
25 Michael Dolan, “How Did the White Picket Fence Become a Symbol of the Suburbs? And Why the Epitome of the Perfect House Become So Creepy.,” Smithsonian 50, no. 1 (April 2019): p. 1, https://www.smithsonianmag.com/history/history-white-picket-fence-180971635/, 1.
26 Dolan, “How Did the White Picket Fence Become a Symbol of the Suburbs?,” Smithsonian, 1.
27 “The Immigrant’s Statue,” National Parks Service (U.S. Department of the Interior, February 26, 2015), https://www.nps.gov/stli/learn/historyculture/the-immigrants-statue.htm.
28 “Growth of Cities,” The First Measured Century (PBS), accessed May 12, 2021, https://www.pbs.org/fmc/timeline/ecities.htm.
29 Emma Lazarus, “The New Colossus,” National Parks Service (U.S. Department of the Interior), accessed May 12, 2021, https://www.nps.gov/stli/learn/historyculture/colossus.htm.
30 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories (Lincoln, NE: University of Nebraska Press, 1985), pp. 7-45, 7.
31 Rene R. Gadacz, “Wigwam,” The Canadian Encyclopedia (The Canadian Encyclopedia, August 11, 2008), https://www.thecanadianencyclopedia.ca/en/article/wigwam.
32 Gadacz, “Wigwam,” The Canadian Encyclopedia.
33 Gadacz, “Wigwam,” The Canadian Encyclopedia.
34 Gadacz, “Wigwam,” The Canadian Encyclopedia.
35 Gadacz, “Wigwam,” The Canadian Encyclopedia.
36 Laura Ingalls Wilder, Little House on the Prairie (New York, NY: Scholastic Inc., 1963), 129.
37 Mark Q. Sutton, “Native Peoples of the Plains,” in An Introduction to Native North America, Fourth (Boston, MA: Pearson, 2012), pp. 239-273, 249.
38 Fellman, Little House, Long Shadow, 87.
39 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 27-28.
40 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 28-29.
41 Wilder, Little House on the Prairie, 65, 224.
42 John A. Powell and Stephen Menendian, “The Problem of Othering: Towards Inclusiveness and Belonging,” Othering and Belonging 1, no. 1 (2016): pp. 14-39, https://otheringandbelonging.org/wp- content/uploads/2016/07/OtheringAndBelonging_Issue1.pdf, 17.
43 Powell and Menendian, “The Problem of Othering: Towards Inclusiveness and Belonging,” 21.
44 Powell and Menendian, “The Problem of Othering: Towards Inclusiveness and Belonging,” 21.
45 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 9.
46 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 9.
47 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 9.
48 Zitkala-Sa, “Impressions of an Indian Childhood,” in American Indian Stories, 10.
49 Wilder, Little House on the Prairie, 46.
50 Wilder, Little House on the Prairie, 46-47.
51 Wilder, Little House on the Prairie, 211.
52 Wilder, Little House on the Prairie, 211.
53 “How Do Children Learn Prejudice?,” Anti-Defamation League (Anti-Defamation League: Education Division, 2013), https://www.adl.org/sites/default/files/documents/assets/pdf/education-outreach/How-Do-Children-Learn- Prejudice.pdf.

Images:

Zitkála-Šá and Laura Ingalls Wilder: Public Domain

The Life Paths of Zitkála-Ša and Laura Ingalls Wilder as a Broad Representation of the “American Experience”:  Photo by Brandon Mowinkel on Unsplash

The Physical House as a Distinct Emblem of the American Experience: Photo by Phil Hearing on Unsplash

“The Other” as a Metaphor Entwined Within the American Experience: Photo by Kirk Cameron on Unsplash

In Conclusion Photo by Jakob Owens on Unsplash




Fight Book Bans: Tools For Fighting Book Bans and Resisting Censorship

A Toolkit For
Resisting Censorship.

F
or the past several years, censorship has swept through schools and public libraries across the United States. According to PEN America’s ‘Banned in the USA’ reports, there have been more than 22,000 instances of books banned since 2021. [1]

This nationwide campaign is being driven by a small, but vocal minority who are brandishing obscenity law and hyperbolic rhetoric about “porn in schools” in an attempt to justify banning books on any topics they deem “offensive.”

Stories about sexual violence and LGBTQ+ experiences bear the brunt of their ire, but they also target any efforts to ensure library collections are diverse and inclusive, to say nothing of works that focus on race, racism, so-called “critical-race-theory,” or anything else “guilty” of perpetuating “woke ideology.”

Fortunately, the very students whose right to read is being challenged, and authors whose works are being censored, as well as librarians and educators who are being gagged are fighting back in creative and effective ways. [2]

But it’s also about much more than books.
As Nobel laureate Toni Morrison pointed out:


The historical suppression of writers is the earliest harbinger of the steady away of additional rights and liberties that will follow
. [3]

And, bearing the repeal of Row v Wade in mind, the increase in restrictive voting laws, not to mention the elimination of the Department of Education’s Office for Civil Rights, Morrison’s observation appears to be terrifyingly spot on.[4]

So, join these students, authors, librarians and educators in the fight against book banning… and by extension, the loss of additional rights that the practice of banning books portends.

fight book bans

How Can You Help?
Here Are Some Tools For Fighting Book Bans,
And a Few Ways to Resist Censorship:

1) Support Organizations that Defend the Freedom to Read:

a. A nationwide coalition of more than 25 groups have allied with the American Library Association (ALA) to fight censorship. You can find the full list of organizations here.

b. But why stop there? Plenty of local groups are taking steps to combat book bans. You can find out which organizations are operating in your area here.

2) Buy or Check out a Banned Book:

It’s easier to defend a book’s importance when it’s clear people want to read it. By purchasing or checking out a book from a library, you help demonstrate that it is valuable to not just to readers, but also publishers, school boards, and librarians. You can find PEN’s America’s index of banned books here — dating from July 1, 2022 to June 30, 2023.

a. Participate in events like Banned Books Week, and read any or all of the books on Banned Books Week Reading lists like this one.

b. But don’t limit your vociferous reading to Banned Books Week. Choose from lists of the most frequently banned books year-round.

3) Speak Up About Book Bans:

a. If a book has been banned by members of your community, be sure to report the incident to PEN America.

b. Attend a board meeting for your local school or library board. You can find talking points and other advice on what to say at such meetings here, as well as a sample script that may help you adopt a more effective tone. And, arm yourself with book résumés to defend challenged books — point out notable awards listed in the challenged book’s résumé, and teaching resources that speak to its educational merit.

c. Sometimes, expressing genuine passion can be enough to move hearts and minds. If a book has changed your life in any way, you can express your appreciation by writing something of your own – whether that’s a letter to your favorite author or librarian, an article for a local or school newspaper, or a post shared on your social media platform of choice (preferably with the hashtag #FreeTheBooks).

d. Join or start a local book club that focuses on banned books — whether it’s one that meets in-person or virtually. Banned book clubs are a great form of grassroots activism. Here’s some advice on how to start your banned book club.

4) Vote in Local Elections

a. If you don’t know when school board elections are held in your state, it’s time to find out. As long as you vote, you’ll always have a say in who gets the power to prevent or allow book bans on behalf of the students in your schools.

b. You might also consider running for your school or local library board. If you want it done right, after all, you might as well do it yourself!

5) Contact your Local and State Representatives:

a. Your local officials, ranging from school and library board members to state legislators and trustees, all hold elected positions and therefore take public input very seriously. These people have the power to fight for your community’s freedoms, so reach out and make sure they know how to best represent you!

b. An effective way to make your voice heard is to sign a petition. With other people’s signatures proving that the community rejects an attempted ban, key decision-makers can be influenced to stop or overturn a book ban. You can find some tips for running a successful petition here.

6) Keep in mind that library and school policies are made locally.

a. Library advocates will want to tailor campaigns to their communities. For example, in a “red” town or state, emphasizing that books about LGBTQ+ individuals or people of color are challenged at a disproportionate rate could backfire. A lawmaker who depicts diversity as a menace could be even more inclined to excise books if they think doing so will further their crusades.

b. Coming at things from a financial angle has been an effective tactic. Censorship comes with costs and wastes both time and public resources. Quite a few lawsuits over book bans have been implemented, with the prosecution citing the illegality for public facilities to favor one political stance over any other.  A good number of them are making their way to the Supreme Court. But, regardless of the outcome, such cases come with a hefty financial burden for a school or library, not to mention the damages that come with a loss.

c. Another fiscal danger spot library advocates can shine a light on revolves around municipal insurance costs. Legislation making librarians who are public employees legally liable for distributing certain material could result in higher municipal insurance premiums. [5].

7) Organize a Public Demonstration:

When book challenges begin gaining traction and look like they’re going to succeed, it might be time to consider organizing a public demonstration. You can find PEN America’s guide on running a peaceful protest here.

8) Libraries and schools (whether public or private) should be sure to have a challenge policy in place:

Without them, books would be banned without transparency, due process, or a chance for the community to weigh in.

a) A good challenge policy should limit who can challenge a book to stakeholders…  that is to parents, district residents, students, etc.

b) Make certain you have a formal request for consideration form, one required for each challenged book. Having formal requests for consideration makes it more difficult to challenge huge batches of books.

Not having one conceals the identity of would-be-banners, and allows them to challenge books without even reading them. It also opens the door to political pressure from groups outside the community.

Your request for consideration form should ask for:

* the challenger’s identity and relationship to the school/library,
* cite and describe objectionable passages,
* explain the reason for the challenge,
* indicate whether they’ve read the entire work,
* and suggest an alternative assignment.

c) Your challenge policy should establish when a formal review is triggered. Requiring a petition of parents representing as little as 1-5% of the school district’s families (for example) serves to limit situations where a single individual imposes their views on the rest of the community.

d) Your policy should also establish who should be on the review committee – ideally, educators, librarians, stakeholders.

e) And, it should mandate what happens to the challenged book(s) during the review process.

For more guidance and details about challenge policies, check out the National Coalition Against Censorship’s guidelines and samples for book challenge policies – as well as other resources — here. [6]

.
Whether you’re an individual, school or library…  for tools to fight back against book bans, download the American Library Association’s  Unite Against Book Bans Toolkit.

There’s also The ABA Right to Read Toolkit  from the American Booksellers Association.

As well as resources for teachers, parents, and school officials  from the National Coalition Against Censorship.

Be sure to put these tools to use right away.
And, share this post to help others fight book bans!

Share This Post, Choose a Platform!

Endnotes:

[1] “The Normalization of Book Banning.” Pen America.
https://pen.org/report/the-normalization-of-book-banning/

[2] “Action Toolkit.” Unite Against Book Bans. https://uniteagainstbookbans.org/toolkit/

“Banned in the USA: Narrating the Crisis.” PEN America. April 16, 2024.

[3] Morrison, Toni. “Peril.” Burn This Book. New York: Harper, 2009. Pg 1.

[4] Dobs v. Jackson Women’s Health Organization (2022). National Constitution Center. https://constitutioncenter.org/the-constitution/supreme-court-case-library/dobbs-v-jackson-womens-health-organization

Christina A. Cassidy and Ayanna Alexander. “Supreme Court tossed out heart of Voting Rights Act a decade ago, prompting wave of new voting rules.” Washington News via Associated Press. https://apnews.com/article/voting-rights-act-supreme-court-black-voters-6f840911e360c44fd2e4947cc743baa2

Press Release. “U.S. Department of Education Ends Biden’s Book Ban Hoax.” U.S. Department of Education. January 24, 2025.

[5] Rosenberg, Alyssa. “How to fight book bans – and win.” The Washington Post. April 5, 2023.

[6] The ABA Right to Read Handbook: Fight Book Bans and Why it Matters. American Booksellers Association. La Vergne, Tennessee: Ingram Spark, 2024. Pp 105-107.

Image:

Fight Book Bans: From Annie Spratt, iMattSmart , and Ariel on Unsplash

How can you help? Photo by Jason W on Unsplash




It Was Only a Matter of Time… Banners Are Coming For Little Free Libraries

Banners are coming for little free libraries

I
guess it was only a matter of time. Book banners have begun targeting Little Free Libraries. You know… those colorful boxes that have sprouted up designed to promote neighborhood book exchanges.

A leader with Utah Parents United has called for state representative Sahara Hayes to be prosecuted following her announcement that she planned to celebrate Banned Books Week by placing titles banned in a Utah school in Little Free Libraries.  
.
This move is consistent with the agenda of groups like Utah Parents United, Moms for Liberty, and the Family Heritage Alliance, whose influence has resulted in several states’ legislation that threaten teachers and librarians with jail time for making so-called “obscene” material available.
.
Hayes may be a state representative, but targeting Little Free Libraries clearly trains the threat of prosecution on everyday citizens. In fact, this same Utah Parents United leader states in no uncertain terms that owners of Little Free Libraries should also face prosecution if they make so-called “obscene” material available.
.

As policy advocate for the Utah Library Association, Peter Bromberg, points out, it doesn’t really matter if you can defend successfully yourself in court. Having such an accusation levied against you puts a target on you to be vandalized and threatened by book banning advocates in the same way librarians have been in the past several years. [1].

Book banning advocates’ agenda is obviously about more than the parents’ rights they purport to be their concern. Banners are coming for Little Free Libraries. And it’s obviously designed to have a chilling effect on the free expression of citizens across the board.

.
How can you help resist such efforts?
Find tools to fight back, and support the freedom to read here.
And put them to use right away!

Share This Post, Choose a Platform!

Endnotes:

[1] Alberty, Erin. “Book banning activists target Little Free Libraries in Utah.” Axios Salt Lake City, Oct. 4, 2024. https://www.axios.com/local/salt-lake-city/2024/10/04/book-ban-little-free-libraries-utah




Fahrenheit 451: Insights Into Today’s Epidemic of Book Banning

Fahrenheit 451

R
ay Bradbury’s iconic dystopian work Fahrenheit 451 offers compelling insights into today’s epidemic of book banning. The progression of events within the text parallels how this scourge of book bans has unfolded. And, the predictive nature of Bradbury’s observations makes the correlations between them all the more captivating.

The work’s opening lines makes it immediately clear that we’re enmeshed in a nightmare scenario:

It was a pleasure to burn. It was a special pleasure to see things
eaten, to see things blackened and changed.
[1]

This opening passage continues with Montag – Bradbury’s fireman protagonist – holding the brass nozzle of a firehose in his fists:

With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.[2]

Given that firemen are civil service employees, combined with the fact that this work was originally published during the McCarthy era, it’s easy to see why Fahrenheit 451 is frequently considered a criticism of government censorship.

But, according to Bradbury himself, it isn’t. As Bradbury famously noted:

You don’t have to burn books to destroy a culture. Just get people to stop reading them.[3]

Bradbury was no fan of censorship, to be sure.  The scathing coda added to Fahrenheit 451 in 1979 makes that perfectly clear. But, the work itself is a study of how the dystopian society Montag lives in arrived at the point where the government inserted itself, and firemen no longer extinguish fires but set books ablaze.

This Book is Banned_Fahrenheit 451

Montag’s Enlightenment

On his way home from the book burning described in the opening passage, Montag meets a young woman named Clarisse McClellan, who turns out to be his new neighbor. Not surprisingly, Clarisse embodies the essence of her name – brightness, radiance, and brilliance.[4] And, it’s this encounter that sets Montag’s enlightenment and subsequent transformation in motion.

Cutting right through Montag’s mundane small talk, Clarisse gets directly to the point:

Have you ever watched the jet cars racing on the boulevards down that way?”

I sometimes think drivers don’t know what grass is, or flowers, because they never see them slowly,” she said. “If you showed a driver a green blur, Oh yes! he’d say, that’s grass! A pink blur? That’s a rose-garden! White blurs are houses. Brown blurs are cows. My uncle drove slowly on a highway once. He drove forty miles an hour and they jailed him for two days. Isn’t that funny, and sad, too?”

You think too many things,” said Montag, uneasily.[5]

The point Clarisse makes revolves around people’s lack of attention to the world they live in, and the dearth of understanding such shallowness creates.

This Book is Banned_Fahrenheit 451

Clarisse’s remarks also apply to how we read

Clarisse’s observation parallels the way far too many of us read. The first thing we notice about a book is its plot. And who doesn’t enjoy reading about a couple guys on a cross-country rager (as in Kerouac’s On the Road), or a spooky old haunted mansion with an ancestral curse (a la Hawthorne’s The House of Seven Gables).

Hermann Hesse describes this type of reader as “naïve.”[6] They relate to books like a horse to its driver: the book leads, and the reader simply follows. The book’s substance is accepted without question.

There’s a world of difference, however, between knowing what a sentence says and what it means. Most people are naïve readers, who make their way through a book by simply processing the text on the page. They follow the dotted line from one plot point to the next and, by the end, walk away with a general grasp of what happened in the story – but nothing more. Their understanding of the book they just read is the equivalent of the “blur” experienced by the drivers of Bradbury’s jetcars.

Up until recently a significant number of book challenges stemmed, quite simply, from shallow reading. For example, early challenges to J. D. Salinger’s The Catcher in the Rye came from parents who essentially charged that Holden Caulfield sets a bad example for teen-age readers, that teenagers shouldn’t behave like Holden does.[7]

What is ironic to the point of frustration is that, when engaged at a level beyond simple plot, it’s obvious that Salinger is actually making these parents’ point for them – this isn’t acceptable teenage behavior, to be sure. But clearly, none of the challengers has engaged the work at a level that prompts them to ask why Holden acts the way he does… or at an even deeper level that would elicit the question, “what is Salinger actually writing about?”

When read merely for plot, The Catcher in the Rye appears to be nothing more than the story of a teenage boy having trouble transitioning to adulthood. However, the inappropriate behavior Holden Caulfield engages in and the way he expresses himself have a rhetorical purpose. When read accordingly, it becomes apparent that these behaviors are a response to the shifting societal landscape Salinger sees in postwar America.

Holden is grappling with the same kinds of questions the challengers’ own children are facing. Holden Caulfield is not, in fact, intended to be a role model. When the reader sees the proverbial blades of grass, individual roses in the garden, and actual cows rather than blurs of color, it is clear that Salinger’s work is about much more than the antics of a rebellious teenager.

This Book is Banned_Fahrenheit 451

What does Clarisse’s uncle have to do
with standardized testing in schools?

Clarisse’s anecdote about her uncle being jailed for driving slowly parallels the way standardized testing in schools obliges educators to focus on reading comprehension skills rather than knowledge-building, or critical thinking.[8]

It’s interesting to note that Montag’s response to Clarisse’s pairing of observations about experiencing the world at a cursory level with a story referring to consequences resulting from slowing down and fully engaging is, “You think too many things.”[9]

Clarisse also points out that Montag consistently gives pat, unconsidered responses to her questions – “you never stop to think what I’ve asked you.”[10]

It’s a thought-provoking exchange. Because, as educator Randi Weingarten points out:

Standardized testing is at cross purposes with many of the most important purposes of public education. It doesn’t measure big-picture learning, critical thinking, perseverance, problem solving, creativity or curiosity…[11]

Social studies curriculum professor, Lisa Gilbert’s comment continues this line of thinking:

What policymakers in many states also fail to understand, is how much standardized testing has shifted our students toward the need to feel certain about things — whereas our lives in this world are filled with ambiguity. [12]

And, literature reflects this ambiguity. But, teaching for standardized testing conditions readers to overlook the bulk of a work, which as with icebergs lies beneath the surface. So, important considerations about a book – like historical context, the author’s life experience, or how the meaning of words and phrases can change – get missed.

Such cursory engagement leaves students with empty husks of the books they’re reading. They may know what the book in question says, but are left not understanding what it means. How it addresses the ambiguity of life. What it actually has to say. Which in turn, perpetuates the type of book challenge mentioned above, one that is the product of shallow reading habits.

this book is banned_Fahrenheit 451

The Rise in Disregard for the Humanities.

Not too long after Montag’s encounter with Clarisse, it becomes apparent to the chief of his station that something is amiss with him. So, in an effort to get Montag back in line, Captain Beatty dresses him down with a lecture on the history of their profession.

At one point during Captain Beatty’s admonition, Montag inquires about Clarisse and her disappearance. And, Beatty’s response reflects the rapid rise in disregard for the Humanities.

His rejoinder to Montag’s inquiry is “you can’t rid yourselves of all the odd ducks in just a few years.” Beatty sees Clarisse as a dangerous “odd duck” because “she didn’t want to know how a thing was done, but why.” [13] 

As Beatty states, he knows how to nip independent thought like Clarisse’s in the bud:

You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. [14] 

And, the nails and wood Beatty is referring to are an education that fosters critical thinking. Beatty’s recipe for thwarting independent thought like Clarisse exhibited?

 

Cram them full of non-combustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely `brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with.
 [15] 

And we’ve seen this attitude reflected in the number of Arts programs that have been slashed, the number of Liberal Arts colleges that have shuttered, and the decline in Humanities degrees conferred generally.[16]

No Child Left Behind and the Common Core State Standards have pushed k-12 educators to prioritize science and math over other subjects.
[17] 

According to the American Academy of Arts & Sciences, the Humanities’ share of bachelor’s degrees conferred is at its smallest number since a complete accounting of Humanities degrees first became possible, in 1987.
[18]

Though it seems paradoxical, even Albert Einstein championed a liberal arts education, advocating that it – rather than the acquisition of special knowledge –  be at the forefront of education.  Einstein sums up this contention by asserting that those whose education is limited to specialized knowledge “more closely resemble a well-trained dog” than a well-rounded individual.
[19]

This Book is Banned_Fahrenheit 451

Only happy books are allowed

As is apparent by his remarks about Clarisse, the core message of Captain Beatty’s  harangue is clearly that people should amble through life, unthinking, untested, and mollified. The following passage constitutes the cornerstone of his menacing discourse:

Ask yourself, What do we want in this country, above all? People want to be happy, isn’t that right? Haven’t you heard it all your life? I want to be happy, people say. Well, aren’t they? Don’t we keep them moving, don’t we give them fun? That’s all we live for, isn’t it? For pleasure, for titillation? And you must admit our culture provides plenty of these.[20]

And, there are indeed books that have been banned because they aren’t upbeat enough. Here are a few examples:

  • Alabama school board challenged The Diary of Anne Frank because, it was “a real downer.”[21]
    .
  • The St. Helens, Oregon school board banned The House on Mango Street from middle-school curriculum, expressing “concerns for the social issues presented.”[22]
    .
  • A group of community members and clergy in Mobile, Alabama called for local school officials to form a special textbook screening committee. And, Of Mice and Men was targeted for “morbid and depressing themes.”[23]

But, doesn’t Captain Beatty have a point? Don’t we all want to be happy? Don’t most parents want their children to be happy? What’s so wrong with only reading books that make us happy? What else is literature for, but to entertain us?

H. G. Wells’ 1912 essay The Contemporary Novel, addresses this very question. And Wells’ answer?

And this is where the value and opportunity of the modern novel come in. So far as I can see, it is the only medium through which we can discuss the great majority of the problems which are being raised in such bristling multitude by our contemporary social development.[24]

Toni Morrison also weighs in on the value of writers and the books they produce:

Certain kinds of trauma visited on peoples are so deep, so cruel, that unlike
money, unlike vengeance, even unlike justice, or rights, or the goodwill of others, only writers can translate such trauma and turn sorrow into meaning, sharpening the moral imagination.

A writer’s life and work are not a gift to mankind; they are its necessity.[25]

As Wells and Morrison make clear, the world isn’t always a happy place. And, books help us deal with that world.

But, what actually happens when adolescents read disturbing books? Well…  literary scholars Gay Ivey and Peter Johnston have studied this, and here’s what they learned. The students they interviewed, most of whom said they previously read little or nothing, “started reading like crazy” both in and out of school. And, their reading achievement improved. They also reported improved self-control, as well as developing more, and stronger, friendships and family relationships. Students also reported being “happier. Yes, happier.”[26]

Take that, Captain Beatty! 

This Book is Banned_Fahrenheit 451

Sanitizing literary works

On the surface, sanitizing literary works appears to be a reasonable compromise strategy. It seems to allow us to talk about issues like those Wells and Morrison point out, while also addressing Captain Beatty’s observations about sensitivity to particular demographics:

Don’t step on the toes of the dog lovers, the cat lovers, doctors, lawyers, merchants, chiefs, Mormons, Baptists, Unitarians, second generation Chinese, Swedes, Italians, Germans, Texans, Brooklynites, Irishmen, people from Oregon or Mexico. The people in this book, this play, this TV serial are not meant to represent any actual painters, cartographers, mechanics anywhere. The bigger your market, Montag, the less you handle controversy, remember that![27]

But does sanitizing really serve as a viable trade-off? What happens when we cleanse texts? Harriet Beecher Stowe’s Uncle Tom’s Cabin is one victim of such sanitizing.

Folklorist Patricia A. Turner traces the unfortunate transformation of the Tom character from Christ figure to racial slur. Stowe wrote Tom as a figure who refuses to reveal where two enslaved women who had been sexually abused by their enslaver are hiding. Tom knows he’ll be beaten to death for not selling them out. Yet he remains defiant, refusing to say where they are. It’s the polar opposite of what that character has come to mean.

Stowe faced an incredible amount of criticism from the apologists for slavery. And according to Turner, in an effort to sell tickets, producers of the early stage shows catered to the sensitivity of these slavery apologists.  They revised the image of slavery Stowe had depicted and characterized Uncle Tom in minstrel fashion – rendering him the weak, subservient figure that continues to be associated with his name.

But, deciding not to sanitize books isn’t just about saving the reputation of literary works. A 2011 episode of The Daily Show addresses the real problem with expurgating literature. Jon Stewart and Larry Wilmore are discussing a recent re-issue of Mark Twain’s The Adventures of Huckleberry Finn, one where every instance of the n-word was replaced with the word “slave.”

Playing devil’s advocate, Stewart suggested that the new edits make the book less “uncomfortable.”  Wilmore’s response hits the mark:

Look, Mark Twain put that word in for a reason. The n-word speaks to a society that casually dehumanized black people. Slave was just a job description. And it’s not even accurate — in the book Jim is no longer a slave, he ran away. Twain’s point is that he can’t run away from being a n—-r.[28]

And, Twain’s point (interpreted by Wilmore) remains relevant today. But, we never have a conversation about that if everyone feels OK with Jim’s situation – the attitude easily becomes “institutional slavery no longer exists, so everything’s fine.” Huck Finn is watered down to become a story about a boy’s adventures on the river, rather than the social commentary it was intended to be.

As social critic and educator bell hooks reminds us:

Oppression is insidious; if we pretend it does not exist, that we do not see it or know how to change it, then the oppression never has to go away… Denial permits us to be complicit.[29]

This book is banned_Fahrenheit 451

The slippery slope to anti-intellectualism

Captain Beatty points out another problem that develops when we sanitize literature, one consistent with Bradbury’s own experience with expurgated texts and compounded by the current disregard for a liberal arts education:

Magazines became a nice blend of vanilla tapioca. Books, so the damned snobbish critics said, were dishwater.[30]

Ironically, Fahrenheit 451 was itself sanitized for high school students’ consumption. More than 75 passages were modified, eliminating words like damn, and hell, as well as the mention of abortion.

Two incidents within the text were also removed. In the first, a drunk man was changed to being a sick man. The second instance refers to cleaning fluff out of the human navel, and was changed to cleaning ears.

A friend alerted Bradbury to the expurgation of his work, and not surprisingly, he promptly demanded that the publisher withdraw the sanitized version and replace it with his original.[31]

In Fahrenheit 451’s coda, Bradbury notes how one of his short stories had been edited for an anthology. He doesn’t pull any punches when addressing such editing/ cleansing of literary works:

Skin, debone, demarow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito – out! Every simile that would have made a sub-moron’s mouth twitch – gone! Any aside that explained the two-bit philosophy of a first-rate writer – lost!

Every story, slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read like Shakespeare read like Dostoevsky read like – in the finale – Edgar Guest.[32] Every word of more than three syllables had been razored. Every image that demanded so much as one instant’s attention – shot dead.[33]

And what are the long-term repercussions of a diet of such pablum? The rise of anti-intellectualism. As Captain Beatty puts it, “the word intellectual, of course,” became a “swear word.”[234]

Beatty refers to the exceptional student who answered the most questions while so many others sat like “leaden idols hating him.”[35] And, it was this “bright boy” who was “selected for beatings and tortures after hours.”[36]

The captain’s diatribe lays out what happens when anti-intellectualism is on the rise:

Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves against. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man’s mind. Who knows who might be the target of the well-read man? Me? I won’t stomach them for a minute.[37]

This passage reflects the harassment, doxxing, and even violent threats suffered by teachers and librarians. Those whose jobs revolve around study and reflection have been vilified, characterized as pedophiles and accused of grooming children.

Here are just a few examples:

Associate professor of Library and Information Science Natalie Cooke’s email address and phone number were circulated among hate groups and their followers… and the harassment that followed was every bit as bad as you would imagine.[38]

Amanda Jones, who heads the board of the Louisiana Association for School Librarians, found a death threat in her email about a month after she spoke out against censorship at a public library. And she would get many more.

But, the one that rattled her most was from a man only four hours away from where she lived. And, “It was pretty explicit in the ways that he was going to kill me,” Jones said. “I was actually petrified.”[39]

And, Maegan Hanson, a library director in a small Idaho town, reports, “We had people threatening to burn down our building.”[40]

Like the “bright boy” in Beatty’s anecdote, individuals whose careers revolve around reading and intellectual activities have ended up with targets on their backs – and not necessarily the metaphoric variety.

This book is banned_ Fahrenheit 451

Silencing stories about diversity

Captain Beatty also contends, conditions become such that “You always dread the unfamiliar.”[341 He further states, “We must all be alike. Not everyone born free and equal like the constitution says…”[42] So, stories reflecting diversity are silenced.

As author George M. Johnson notes:

The curriculum that is being taught in most school systems is still heavily geared towards the straight, white, male teen,” Johnson says. “And so when we now have the ability to put books into curriculum that tell other stories, that tell stories that are non-white, that tell stories that are non-heterosexual, they’re trying to take them out across the board because, you know, it’s like, ‘Oh, my God, how dangerous would it be if young white teens had to actually learn about the other people who exist in society with them?’[43]

this book is banned_Fahrenheit 451

Black literature

Black literature has long been the target of coordinated censorship efforts, spanning at least back to the Harlem Renaissance. But, as a result of the current mania revolving around Critical Race Theory – which is engendered by groups like No Left Turn in Education – the number of banned books featuring prominent characters that are Black has skyrocketed. Along with works written by Black authors. And those that tell stories from a Black perspective.[44] Here are just a few examples:

  • Newbery Medal Winner New Kid by Jerry Craft is one such book.[45] New Kid is a graphic novel about relocating to a new school where diversity is low.
    .
  • Then there’s Toni Morrison’s Beloved, which has faced widespread bans due to its depiction of slavery, not to mention the way it addresses other dark moments in American history.[46]
    .
  • And, let’s not forget The 1619 Project: A New Origin Story, the book that ignited the anti-Critical Race Theory frenzy.[47] Jones’ work reframes American history by putting slavery and its legacy at the center of our national narrative. 
this book is banned_Fahrenheit 451

LGBTQ+ literature

As with Black literature, opposition to LGBTQ books is not a new phenomenon in America. But the current wave is unprecedented in scope and scale.

According to American Library Association data, from the 2000s to the early 2010s, LGBTQ+ books were the target of between less than 1 – 3 percent of all challenges filed in schools. In 2022, however, that number had surged to 45.5 percent.

Founding chairman of Moms for Liberty, Jennifer Pippin, cites concern over sexually explicit material as the reason for challenges to LGBTQ+ books rather than homophobia. However, over one-third of the challenges to LGBTQ+ titles are simply because they feature LGBTQ+ lives or stories.[48]

A few examples of banned LGBTQ+ literature are:

  • All Boys Aren’t Blue: A Memoir-Manifesto by George M. Johnson chronicles their childhood, adolescence, and college years as a queer Black youth. Johnson’s work explores subjects ranging from gender identity and toxic masculinity to structural marginalization and Black joy. It’s frequently challenged for LGBTQ+ content, and claims of sexual explicitness.[49]
    .
  • Then there’s This Book is Gay by Juno Dawson. This Book Is Gay is a non-fiction book utilizing Dawson’s experience as a PSHE co-ordinator (Personal, Social and Health Education), Dawson offers basic information about the gay, lesbian, bisexual, and transgender experience. Frequently claimed to be pornography, it was also the subject of bomb threats sent to the Hilton Central School District in New York.[50]
    .
  • There’s also Maia Kobabe’s book Gender Queer: A Memoir. Kobabe (who uses e/em/eir pronouns) charts eir journey of self-identity. But, this work is more than a personal story: it’s a useful and touching guide to gender identity for advocates, friends, and, basically, humans everywhere. It too is regularly challenged for LGBTQ+ content, and claimed to be sexually explicit.[51]

Unfortunately, there are maaaany more books on the list of works about diversity that have been silenced. And, once again, Toni Morrison alerts us to why it’s not only important for these stories to be told, but for us to keep fighting against bans of books like these. And, that’s because:

Unpersecuted, unjailed, unharassed writers are trouble for the ignorant bully, the sly racist...[52]

this book is banned_Fahrenheit 451

Societal energy is re-directed

Interestingly, it was a turn of events completely unrelated to books that kicked things into high gear. In Montag’s society it was: 

when houses were finally fireproofed completely, all over the world… there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, the focus of our understandable and rightful dread of being inferior: official censors, judges and executors.[53]

When it comes to our current epidemic of book banning, COVID-19 was the match that set things ablaze. Anger about mask mandates and school closures was quickly harnessed and re-directed toward books that banners claim clash with conservative values – which ultimately includes teachings about gender, race, social justice, and history.[54]

School board races had typically been friendly, and uneventful, with little money involved. But that was about to change, primarily due to the influence of conservative political organizations like the Family Heritage Alliance, the Free Republic Political Action Committee, Moms for Liberty (which has 300 chapters in 48 states), and the aforementioned No Left Turn in Education.[55]

There are at least 50 such groups in total advocating for bans in K-12 schools.[56] These political organizations are well-funded, and operate at the national, state, and local levels. What had traditionally been local contests became the targets of a handful of national conservative groups, who are pouring money into local school board races.[57]

Only 11 people are responsible for 60% of book challenges.

A Washington Post study reveals that 60 percent of all challenges were made by only 11 people. Previously, book challenges trickled in from individuals one book at a time.

But these days, serial filers lodging 10 or more complaints are responsible for two-thirds of all challenges – some of them challenging literally hundreds of books.[58] And a good number of these rely on a network of volunteers gathered with the backing of political organizations like those mentioned above.

Legislators are also compiling vast lists of books to challenge, like the one containing 850 books from Texas state representative Matt Krause. He then sent a letter to the Texas Education Agency and superintendents of school districts around the state requiring that schools tell him whether they possess any books on his list. Krause’s correspondence also demanded a detailed accounting of where those books are and how much money was spent on them.[59] And it doesn’t stop there.

This book is banned_Fahrenheit 451

State-sponsored censorship

And, here’s the evidence. Proposals in the Missouri legislature, one of which states that librarians would be “punished by a fine” of up to five hundred dollars or “by imprisonment in the county jail” of up to one year for providing “age-inappropriate sexual material.”[60]  But who decides what material is “age-inappropriate”? As any parent will tell you, children’s readiness for any given subject matter is as individual as the kids themselves.

Then there’s Florida’s “Don’t Say Gay” bill, which has several Florida schools removing books from their libraries.[61] There’s also the Sunshine State’s “Stop Woke Act”, which restricts the discussion of difficult historic truths that may make students feel “discomfort, guilt, or anguish” due to U.S. racial history – institutional slavery, for example, or how First Nations peoples were forced onto reservations, or that Japanese-Americans were put into internment camps during World War II.[62] Much to the dismay of their students, this law has teachers removing or covering all the books in their classroom libraries until they have been “vetted” by the proper authorities.[63]

And Project 2025 is looming, which would elevate such censorship and book banning to the federal level. In Project 2025’s forward, Kevin D. Roberts declares that the terms “sexual orientation and gender identity (SOGI), diversity, equity, and inclusion (DEI), gender, gender equality, gender equity, gender awareness, gender-sensitive, abortion, reproductive health, [and] reproductive rights” would be deleted from “every federal rule, agency regulation, contract, grant, regulation, and piece of legislation that exists.”[64]

Project 2025 further states that “the noxious tenets of ‘critical race theory’ and ‘gender ideology’ should be excised from curricula in every public school in the country. These theories poison our children.”[65] Earlier in the forward, such tenets are characterized as pornography.  And, it declares that “the people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders.”[66]

Unlike the society Montag lives in, we aren’t literally setting books aflame…  yet. But, we are setting proverbial fire to the constitution.

And yet again, it’s Toni Morrison with a pearl of wisdom about the significance of book banning:

The historical suppression of writers is the earliest harbinger of the steady peeling away of additional rights and liberties that will follow.[67]
.

In Conclusion

Fortunately, there’s an alliance of activists pushing back against book banning. This community parallels the one in the last segment of Fahrenheit 451 who memorize books, and function as living libraries.

Groups like the American Library Association, the National Council of Teachers of English, and indeed the individuals behind websites like This Book is Banned are fighting to ensure our right to read.

Given what’s at stake – especially bearing Toni Morrison’s words in mind – join the coalition. Get Involved. Vote in elections of every level, and elect legislators who’ll submit bills like the Books Save Lives Act  and the Fight Book Bans Act rather than the Stop WOKE Act.

Speak out in support of books that have been challenged at school board meetings. Better yet, run for your local school board.

Exercise your reading rights. Check out banned books from your public library – it really does help!

And finally, support your public library. Because, when it comes to books and the dangers that arise from banning them, libraries embody the biblical passage Montag cites at the close of Fahrenheit 451:

And on either side of the river was there a tree of life, which bare twelve manner of fruits, and yielded her fruit every month; And the leaves of the tree were for the healing of the nations.[68]

Books, of course, are the fruit of a library. And, as Bradbury is keen to point out, the future is going to need them.
.

That’s my take on Ray Bradbury’s  Fahrenheit 451 – what’s yours?
Check out this discussion guide to get you started. 

#Banned Books           #On Censorship            #Published in 1950s

Share This Post, Choose a Platform!

Endnotes:

[1] Bradbury, Ray. Fahrenheit 451-The 5oth Anniversary Edition.  New York: Ballantine Books, 2003. Pg 3.

[2] Bradbury, Ray. Fahrenheit 451-The 5oth Anniversary Edition.  New York: Ballantine Books, 2003. Pg 3.

[3] Butler, Bethonie. “Ray Bradbury dies: Favorite quotes from the ‘Fahrenheit 451’ author.” The Washington Post, June 6, 2012. https://www.washingtonpost.com/blogs/arts-post/post/ray-bradbury-dies-favorite-quotes-from-the-fahrenheit-451-author/2012/06/06/gJQAGhIoIV_blog.html

[4] “Meaning of the first name Clarisse.” Ancestry.com

[5] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 9.

[6] Hesse, Hermann. “On Reading Books.” in My Belief: Essays on Life and Art. Edited by Theodore Ziolkowski. Translated by Denver Lindley. (New York: Farrar, Straus and Giroux, 1974), 101.

[7] Mydans, Seth. “In a Small Town, a Battle Over a Book.” The New York Times, (Sept. 3, 1989).

[8] Wexler, Natalie. “New Study Suggests Standardized Testing Misses A Lot of Learning.” Forbes. February 23, 2023. https://www.forbes.com/sites/nataliewexler/2023/02/22/new-study-suggests-standardized-reading-tests-miss-a-lot-of-learning/

[9] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 8.

[10] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 8.

[11] Kober, Farra. “Randi Weingarten: Common Core should be a guide, not a straitjacket.” May 9, 2014. MSNBC. https://www.msnbc.com/all/you-asked-randi-weingarten-answered-common-core-standardized-testing-msna325831

[12] Watts, Judy H. “Bans that disrupt democracy.” Washington Magazine. February 19, 2024. https://source.wustl.edu/2024/02/bans-that-disrupt-democracy/ 

[13] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 60.

[14] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 60.

[15] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 61.

[16] Snyder, Christopher A. “A Liberal Education in Name Only.” Inside Higher Ed. October 23, 2023.
https://www.insidehighered.com/opinion/views/2023/10/23/liberal-education-name-only-opinion

[17] Gregory, Danny. “Let’s Get Rid of Art Education in Schools.” Kappan. April 1, 2017.

[18] “Bachelor’s Degrees in the Humanities.” American Academy of Arts & Sciences.

[19] Fine, Benjamin. “Einstein Stresses Critical Thinking.” The New York Times. October 5, 1952.

[20] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 59.

[21] Driscoll, Molly. “30 banned books that may surprise you.” The Christian Science Monitor. October 3, 2012. https://www.csmonitor.com/Books/2012/1003/30-banned-books-that-may-surprise-you/The-Diary-of-A-Young-Girl-by-Anne-Frank

[22] Van Winkle, Katie. “Saving Mango Street.”  Rethinking Schools.  https://rethinkingschools.org/articles/saving-mango-street/

[23] “Of Mice and Men by John Steinbeck.” Banned Library.
https://www.bannedlibrary.com/podcast/2015/12/26/banned-46-of-mice-and-men

[24] Wells, Herbert George. “The Contemporary Novel.” The Atlantic Monthly. January, 1912. Pg 8

[25] Morrison, Toni. “Peril” Burn This Book: notes on literature and engagement. New York: Harper, 2009. Pg 3.

[26] Gay Ivey and Peter Johnston. “What Happens When Young People Actually read ‘Disturbing’ Books.” Teachers College Press blog. October 31, 2023.

[27] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 57.

[28] Perlmutter, Sammy. “Jon Stewart Takes on ‘Huckleberry Finn’ N-Word Controversy.” HuffPost. Jamuary 12. 2011.
https://www.huffpost.com/entry/jon-stewart-takes-on-huck_n_807921

[29] Kirk-Duggan, Cheryl A. “Quilting Relations with Creation: Overcoming, Going Through, and Not Being Stuck.” Deeper Shades of Purple: Womanism in Religion and Society, New York: New York University Press, 2006. Pg 180.

[30] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 57.

[31] Sova, Dawn B. “Censorship History of Fahrenheit 451.” Banned Books: Literature Suppressed on Social Grounds, Revised Edition. New York: Facts On File, Inc., 2006. Pg 134.

[32] Edgar Guest has been called “the poet of the people,” whose poems presented a deeply sentimental view of daily life. “Edgar Guest.” The Academy of American Poets. Poets.org   https://poets.org/poet/edgar-guest

[33] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 176.

[34] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[35] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[36] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[37] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[38] Morehart, Phil. “Defeating Bullies and Trolls.” American Libraries. March 15, 2019. https://americanlibrariesmagazine.org/blogs/the-scoop/librarians-defeating-bullies-trolls/

[39] Pendharkar, Eesha. “A School Librarian Pushes Back on Censorship and Gets Death Threats and Online Harassment.” EducationWeek.September 22, 2022.
https://www.edweek.org/policy-politics/a-school-librarian-pushes-back-on-censorship-and-gets-death-threats-and-online-harassment/2022/09

[40] Alfonseca, Kiara. “Librarians say tthey face threats, lawsuits, jail fears over ongoing book battles.” April 13, 2024. Abcnews.go.com
https://abcnews.go.com/US/librarians-face-threats-lawsuits-jail-fears-ongoing-book/story?id=109081570

[41] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[42] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 58.

[43] Reena Advani, Rachel Treisman. “Banned Books: George M. Johnson on the need to tell all people’s stories.” NPR.org
https://www.npr.org/2022/10/25/1130433140/banned-books-all-boys-arent-blue-george-johnson-lgbtq-ya

[44] “Book Bannings Targeting Black Authors and Perspectives Are Skyrocketing.” Everylibrary.org February 07, 2023.
https://action.everylibrary.org/book_bannings_targeting_black_authors_and_perspectives_are_skyrocketing

Tyler Kingkade, Brandy Zadrozny and Ben Collins. “Critical race theory battles invade school boards – with help from  conservative groups.” NBCnews. June 15, 2021.   https://www.nbcnews.com/news/us-news/critical-race-theory-invades-school-boards-help-conservative-groups-n1270794

[45] Bellamy-Walker, Tat. “Book bans in schools are catching fire. Black authors say uproar isn’t about students.” NBCnews. January 6, 2022.
https://www.nbcnews.com/news/nbcblk/book-bans-schools-are-catching-fire-black-authors-say-uproar-isnt-stud-rcna10228

[46] Getachew, Denora. “Best Banned Books by Black Authers, from Toni Morrison to Angie Thomas.” Teen Vogue. February, 2023. https://www.teenvogue.com/story/best-banned-books-black-authors

[47]  Cathryn Stout, Sam Park, Dan Lyon, and Monica Rhor. “How Nikole Hannah-Jones’ 1619 Project ignited the critical race theory backlash.” Chalkbeat Tennessee. July 19, 2021.

[48] Naatanson, Hannah. “Objection to sexual, LGBTQ content propels spike in book challenges.” The Washington Post. June 9, 2023. https://www.washingtonpost.com/education/2023/05/23/lgbtq-book-ban-challengers/

[49] “Top 10 Most Challenged Books of 2023.” American Library Association. https://www.ala.org/bbooks/frequentlychallengedbooks/top10

[50] Pendharkar, Eesha. “Book Ban Debates Prompt Bomb Threats Against Schools.” Education Week. April 27, 2023. https://www.edweek.org/leadership/book-ban-debates-prompt-bomb-threats-against-schools/2023/04

[51] “Top 10 Most Challenged Books of 2023.” American Library Association. https://www.ala.org/bbooks/frequentlychallengedbooks/top10

[52] Morrison, Toni. “Peril” Burn This Book: notes on literature and engagement. New York: Harper, 2009. Pg 2.

[53] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 59.

[54] Gruver, Mead. “From masks to book banning, conservatives take on educators.”
Associated Press. December 19, 2021.
https://apnews.com/article/conservatives-educators-coronavirus-masks-book-banning-cfe02e318d95070d468c88e7294d8aa9

[55] Denise-Marie Ordway. “School board elections in the US: What research shows.” The Journalist’s Resource. May 28, 2024. https://journalistsresource.org/education/school-board-elections-research/

[56] Chavez, Nicole. “At least 50 groups in the US advocated to ban books in the past year.” CNN.com September 19, 2022. https://www.cnn.com/2022/09/19/us/book-ban-movement-pen-america-report-reaj/index.html

[57] Atterbury, Andrew. “National conservative groups pour money into local school board races.” Politico. September 19, 2022. https://www.politico.com/news/2022/09/19/conservative-school-board-fundraising-florida-00057325

[58] Naatanson, Hannah. “Objection to sexual, LGBTQ content propels spike in book challenges.” The Washington Post. June 9, 2023. https://www.washingtonpost.com/education/2023/05/23/lgbtq-book-ban-challengers/

Lapin, Andrew. “Meet Bruce Friedman, the Jewish dad who got a version of Anne Frank’s diary and hundreds of other books banned from his Florida school district.” Jewish Telegraphic Agency. October 6, 2023. https://www.jta.org/2023/10/06/united-states/this-jewish-dad-got-a-version-of-anne-franks-diary-removed-from-his-florida-school-district

[59] Chappell, Bill. “A Texas lawmaker is targeting 850 books that he says could make students feel uneasy.” NPR.org October 28, 2021. https://www.npr.org/2021/10/28/1050013664/texas-lawmaker-matt-krause-launches-inquiry-into-850-books

[60] Missouri House Bill No. 2044. https://house.mo.gov/billtracking/bills201/hlrbillspdf/4634H.01I.pdf

[61] Legum, Judd. “’Don’t Say Gay’: Florida schools purge library books with LGBTQ characters.” Popular Information. January 5, 2023. https://popular.info/p/dont-say-gay-florida-schools-purge

[62]  Florida Bill 2022148. https://www.flsenate.gov/Session/Bill/2022/148/BillText/Filed/HTML

[63] Negussie, Tesfaye and Rahma Ahmed. “Florida schools directed to cover or remove classroom books that are not vetted.” abcNEWS. https://abcnews.go.com/Politics/florida-schools-directed-cover-remove-classroom-books-vetted/story?id=96884323

[64] Project 2025. Washington, D.C.: The Heritage Foundation, 2024.Pg 4-5.

[65] Project 2025,.Washington, D.C.: The Heritage Foundation, 2024. Pg 5.

[66] Project 2025. Washington, D.C.: The Heritage Foundation, 2024 Pg 5.

[67] Morrison, Toni. “Peril” Burn This Book: notes on literature and engagement. New York: Harper, 2009. Pg 3.

[68] Bradbury, Ray. Fahrenheit 451 – The 50th Anniversary Edition. New York: Ballantine Books, 2003. Pg 165.

Images:

Montag’s Enlightenment:  Photo by Nghia Le on Unsplash

Clarisse’s remarks also apply to how we read: Photo by Thong Vo on Unsplash

Clarisse’s uncle and standardized testing: Photo by Ben Mullins on Unsplash

Disregard for the Humanities: Photo by Markus Spiskeon Unsplash

Only happy books are allowed: Photo by Josh Felise on Unsplash

Sanitizing literary works: Photo by Mediamodifier on Unsplash

The slippery slope to anti-intellectualism:  Photo by Anne Nygård on Unsplash

Silencing stories about diversity: Photo by Jackson Simmer on Unsplash

Black literature:  Maya Angelou reciting her poem “On the Pulse of Morning” at President Bill Clinton’s inauguration in 1993. William J Clinton Presidential Library. Public Domain

LGBTQ+ literature: Photo by Isi Parente on Unsplash

Societal energy is re-directed: Photo by Rey Seven on Unsplash

State-sponsored censorship: Photo by Mick Haupt on Unsplash

In Conclusion:  Photo by Johann Siemens on Unsplash

FYI:

This Book is Banned participates in the Amazon.com affiliate program, where we earn a small commission by linking to books (but the price stays the same to you). This allows us to remain free, and ad free. [Our privacy policy]




Banned Books Week 2024

Banned Books Week 2024

T
his year’s theme is Freed Between the Lines. Our freedom to explore different perspectives and new ideas is under threat to be sure. But, book bans do more than just restrict our access to stories. They undermine our rights. So, let’s push back against book bans by coming together to celebrate the right to read…  and find freedom in the pages of a book.

Censorship by the numbers -- Banned Books Week 2024

The Office for Intellectual Freedom has documented 4,240 unique book titles targeted for censorship, as well as 1,247 demands to censor library books, materials, and resources in 2023. Four key trends have emerged from the data they gathered from 2023 censorship reports:

  • In 2023, pressure groups focused on public libraries as well as targeting school libraries. The number of titles targeted for censorship at public libraries grew by 92% over the previous year, accounting for about 46% of all book challenges last year. School libraries saw an 11% uptick over 2022 numbers.
    .
  • This surge was driven by groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time.
    .
  • 47% of the titles targeted in censorship attempts represent the voices and lived experiences of LGBTQIA+ and BIPOC individuals.
    .
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.[1]
The Banned Wagon -- Banned Books Week 2024

Book bans are clearly on the rise across America. So, starting on Banned Books Week, the Banned Wagon—powered by Penguin Random House, Unite Against Book Bans (UABB), First Book, and Little Free Library—is setting out on their second Banned Wagon tour. They’ll be stopping at bookstores and libraries in nine American communities across the Midwest and the South that are being impacted by book banning.

Get their tour schedule here. And, hop on the Banned Wagon, join the fight against censorship, and pick up your free banned book while supplies last!

Banned Books Week 2024

Some Ways to Get Involved.

Banned Books Week is a time to voice censorship concerns, and show our communities the importance of intellectual freedom. It’s also a time to celebrate free expression.

Here are some things you can do to fight censorship, keep books available in libraries, and promote the freedom to read!

Stay informed. If you hear about a challenge at your local library, support your librarian, as well as  free and open access to library materials by contacting the Office for Intellectual Freedom (OIF). That’s important because OIF estimates that it only learns about 3-18% of all book challenges.

Speak out. Talk to your friends about why we should all be allowed to choose for ourselves what we and our family read. Write letters to the editor of your local newspaper, your public library director, and your school principal supporting the freedom to read. Speak about the importance of unrestricted reading on your local public radio station.

Write a letter to a favorite banned or challenged author. Take a few minutes to thank a banned or challenged author for their words. You can find their Twitter handles and addresses here.

Organize a film Festival:  Film and video productions can vividly depict the impact censorship has on individuals and society. Consider screening a film or sponsoring a First Amendment film festival for Banned Books Week. Here’s a list of suggestions.

But be aware that public performance of these videos and DVDs may require a license. You can find information about these licenses at Motion Picture Licensing Corporation and Movie Licensing USA.

It’s important to note that, happily, many documentaries come with public performance licenses.

Exercise your reading rights. Check out a banned book from your public library. Encourage your book club to discuss rebellious reads. Here’s a list of the top ten most challenged books of 2023 – with a book resume and information about their challenges –  to help you get started.

Finally, peruse This Book is Banned’s readings of books that have been banned.

Also…  don’t forget our Power of Books Series, interviews with authors about why it’s important for stories containing characters with diverse backgrounds and life experience to be told.

And most importantly,
keep the momentum going beyond Banned Books Week.
Engage in these activities all year round. 

#on censorship

Endnotes:

[1]  “Book Ban Data.” American Library Association.   https://www.ala.org/bbooks/book-ban-data




Help Keep Our Democracy Functioning: Vote For The Right To Read

Help keep our democracy functioning - Vote for the right to read

A
ccess to diverse books is not only essential to a strong education and a free mind, it’s critical to a healthy democracy.

Reading is more than merely the decoding of texts. It’s the main road to basic information exchange, personal development, and the foundation of life-long learning.

More importantly, however, reading is our most powerful tool for developing analytic and critical thinking. It expands our conceptual capacities. It trains perspective-taking and cognitive empathy – social skills indispensable for informed citizens in a democratic society.[1]

Help keep our democracy functioning - Vote for the right to read

But, we’re currently in the midst of a book banning crisis.

Well-funded pressure groups are mandating the removal of books from library and school shelves. They’re pushing state governments to impose educational gag orders on teachers and staff.

These laws silence discussion about race and gender in America, as well as difficult issues like poverty, domestic abuse, and drug addiction.

In doing so, they isolate and discriminate against LGBTQ+ students and students of color. They leave victims of abuse feeling detached, alone, and blaming themselves for what they have suffered.

They give us the impression that the cycle of poverty is easily broken, or that only people who are morally deficient suffer from addiction.

And…  they cast a long and shameful shadow of censorship across our libraries and schools.

Polling repeatedly shows that communities across our country agree that families should be able to decide for themselves what their children can and cannot read. Not another parent. And certainly not a politician. At their core, these laws are anti-family, anti-freedom, and anti-American. [2]

Help keep our democracy functioning - Vote for the right to read

Put a stop to these policies at the ballot box.

These pressure groups won’t quit pushing for anti-education policies. Nor will state and local legislators refrain from introducing such bills until we put a stop to it at the ballot box. Like in the election that’s coming up in November.

So, we must use our votes up and down the ballot to demand that our policymakers protect students, public servants, and especially our right to read. That means voting for legislators who support the belief that our public institutions must serve diverse communities and remain a hallmark of a free people.

It means voting for lawmakers who will put forward legislation like the Books Save Lives Act and the Fight Book Bans Act, rather than the Don’t Say Gay bill or the Stop the Woke act – which impose educational gags, and undermine what libraries are all about.

HERE’S A VOTER CHECKLIST TO ENSURE THAT WE DO JUST THAT:

  • ORGANIZE YOUR COMMUNITY.
  • SHOW UP & SPEAK OUT.
    The freedom to read is a non-partisan, American value. Let’s mobilize our communities to vote in every election – for pro-library, anti-book banning candidates.
    .
  • MOST IMPORTANTLY, GET TO THE POLLS AND CAST YOUR VOTE![3]

Because a democratic society – which is based on informed multi-stakeholder consensus – can only succeed with resilient readers. As Margaret Atwood points out in her oft-quoted warning:

If there are no young readers and writers, there will shortly be no older ones. Literacy will be dead, and democracy…  will be dead as well”.[4]

Endnotes:

[1] The Ljubljana Reading Manifesto: Why higher-level reading is important. October 20, 2023. International Federation of Library Associations and Institutions. https://www.ifla.org/news/ljubljana-manifesto-on-higher-level-reading-launched-at-frankfurter-buchmesse/

[2] Take the Voter Pledge. Unite Against Book Bans. https://uniteagainstbookbans.org/vote/

[3] Take the Voter Pledge. Unite Against Book Bans. https://uniteagainstbookbans.org/vote/

[4] The Ljubljana Reading Manifesto: Why higher-level reading is important. October 20, 2023. International Federation of Library Associations and Institutions. https://www.ifla.org/news/ljubljana-manifesto-on-higher-level-reading-launched-at-frankfurter-buchmesse/

Images:

Vote: Photo by Element5 Digital on Unsplash

Book Banning Crisis: Photo by Masaaki Komori on Unsplash

Ballot Box:  Photo by Unseen Histories on Unsplash